A Quote by Robert Plant
(`Stairway to Heaven' is) a nice pleasant, well-meaning naive little song, very English. It's not the definitive Led Zeppelin song. `Kashmir' is.
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Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.
I don't feel a real need to specify the meaning of something. When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories you attach to the music.
When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories you attach to the music.
I think my favorite song is by Led Zeppelin called 'Good Times Bad Times,' a Rolling Stones song called 'You Can't Always Get What You Want,' and every song The Beatles ever wrote.
But I would say my favorite Zeppelin song to play is 'Kashmir.' I have a great time playing that one.
If you thought Stairway to Heaven was a long song, dear god you should listen to it played on a lute.
I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
When I was a teenager, working towards dropping out of high school to starting to tour with bands, I'd drive around in my VW Bug every morning before school, very stoned listening over and over to Zeppelin. This song got to me because it just seemed mystical. There is something about those Celtic tunings that almost sounds Eastern. Somehow it would sweep me up into my own little trance-like state, like Sting with those shamans in the Amazon. But all I had was a bong and a Led Zeppelin cassette.
There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.
I never thought 'Stairway to Heaven' was a long song. I loved how there was this part and then there was another part that was completely different.
The hardest song to write is a protest song, a topical song with meaning.
Nothing that Robert Plant does will ever equal Led Zeppelin, but that doesn't mean he's going to stop being creative. Jimmy Page has so many incredibly cool projects, but it's not Led Zeppelin; there will only ever be one Led Zeppelin.
I know when I wear a Led Zeppelin shirt, I am happy to put that Led Zeppelin shirt on. It's not, 'Well, they kind of suck.'
I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
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