A Quote by Robert Plant
I can find my way from 500 A.D. through to 1066 pretty well as an amateur historian.
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After I won my first amateur fight, I figured I would do fighting on the side while I was going to school. I got an offer after that amateur fight to take a professional fight. The opponent kind of wanted to have an easy win for her pro debt, and they said they'd pay me $1,500. I was like, 'Yeah, might as well get paid for what I was doing.'
I was an amateur - I am an amateur - and I intend to stay an amateur. To me an amateur photographer is one who is in love with taking pictures, a free soul who can photograph what he likes and who likes what he photographs.
It's turned into a world of amateurs. There are amateur actors making millions of dollars, amateur cinematographers, amateur directors... Jesus, these amateur directors can get deals for anything. Another comic book? Oh, very good.
I relate everything to amateur wrestling, including the way I watch basketball and the way I watch football. My brain thinks as an amateur wrestler. That's who I am.
I'm not an historian and I'm not wanting to write about how I perceive the social change over the century as a historian, but as somebody who's walked through it and whose life has been dictated by it too, as all our lives are.
I played high school golf, I played amateur golf and I started getting officers. I was playing pretty good, won amateur tournaments as a junior, and the whole thing.
I don't try to hit the ball 500 feet. It looks good when you hit it 500 feet, but as long as it goes over the fence, it's a home run. When you swing hard, it takes a little bit of recognition away from you. The power you're trying to increase - you're not all the way through it with your vision.
There will be this mix of people like me who write for major national newspapers and amateur critics, practitioner critics, whose primary way of distributing what they talk about is through blogs and on the web. The line between professional and amateur criticism will become increasingly blurred. The problem here is that if you want to do this for a living, you have to be able to earn a living doing it.
In Holland you go into amateur teams, come up through the ranks and are generally spotted for senior or professional football. At 16, I had made it into a men's amateur team, and was picked up professionally from there.
People fight today for the same fundamental reasons the Greek historian Thucydides identified nearly 2,500 years ago: fear, honor, and interest.
I had to sit in front of all these people, and act like I knew what I was doing. I faked my way through it pretty well.
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
My high threshold for pain will allow me to battle through pretty much anything if I find a way to run and slide.
I'm pretty professional. I'm very aware when I'm not playing well and what I need to improve. I'm pretty motivated to fix things. There are guys out there who are not realistic; they don't like to take blame for certain things they don't do well. That's the nature of doubles sometimes: it's easy to find faults in your partner.
...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.
. . . What role does historiography play in the way a society and culture "remembers" past events? Does the historian have a moral or civic responsibility to this project of memory that ought to influence the way he or she engages in historical practice? Should moral concerns influence the historian's choice of subject matter, of issues to discuss, of evidence to use?
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