A Quote by Robert Plant
There are always generic terms like 'Americana', but there are no boundaries as to where it can go.
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'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.
Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.
I grew up in Sweden. It's a profoundly Americanized country. We have a strong tradition of Americana and always had non-dubbed American television, and embracing American culture a lot, so I always knew that I wanted to go to America.
Back then, you seemed like a crazy person when you were trying to push the boundaries of network TV. People looked at you, and they were offended by the fact that you didn't follow the generic rules of what was expected on network TV.
I have been looking for a name for years and of course it sounds like it would be easy. Americana came along for the same reason. But to me Americana means Original music with prominent folk/rock influence. Ameripolitan is Original music with prominent roots influence.
What is a struggle is that acting isn't a place where you go to work and you do that thing. There aren't set boundaries, like an office, where you go and work. For me, the work is always on my mind.
Everyone is talking about sustainability and resilience, yet all that knowledge is thrown in the bin. [Lagos is] a unique case, but also a test case. It's unbelievably unique, but also it's now considered with a number of really generic opinions, generic solution, generic expectations.
I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
Everything has boundaries. the same holds true with thought. you shouldn't fear boundaries, but you also should not be afraid of destroying them. that's what is most important if you want to be free: respect for and exasperation with boundaries. what's really important in life is always the things that are secondary.
The Law of the Generic: One of the fastest routes to failure is giving a brand a generic name.
I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
I feel that our stories are cross culturally irrelevant, and I'm a member if a larger community of people who have no boundaries in terms of color or in terms of how I look at other people and their stories.
I enjoy having some boundaries to work within. That's why I generally don't like alternate tunings and stuff like that. I like the boundaries of regular tunings.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
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