A Quote by Robert Plant

When I was a kid, I was following black soul music. — © Robert Plant
When I was a kid, I was following black soul music.
I think what I listen to now is what I listened to as a kid which is kind of black American soul. I love soul music.
When someone is themselves through their music, it's soul music. James Taylor is soul music to me 'cause it's just him talking about him. It doesn't have anything to do with black or growing up in the church; it's where it comes from. It's just soul music.
It's like soul music, isn't it all soul music? Otherwise what is it, non-soul music? I-have-no-soul music? Soulless music? People need to put a name on something to identify it, and I understand it.
Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over.
Soul music is soul music. It can be wrapped up in a neo soul package; it can be called hip-hop soul. But soul is soul, and it's been around; it will never go away.
The problem is the following, black music is increasing encumbered by white elements, often pleasant but always superfluous, easily and advantageously replaced with black elements.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
The Soul is a fact, but it is not physical. ... Survivors of near-death experiences attest that some part of them apparently detaches from their physical bodies following the death of the body, but while that is proof of the soul for them, it does not prove it to us. The Soul is like divine music that only God can hear; it is the force of endless resurrection; the soul is like a fire that never goes out.
Theres two kinds of music: black soul music, and the white imitation thereof.
All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
I never thought I was playing black music. I was just playing music, the stuff I liked. I sang blues at parties and things when I was a kid.
When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.
I'm making black music. That's the only outline for me, really. That's the only boundary to stay with. It's soul music. I'm going all out in those terms.
I think that American music, for me, it's a synthesis of a lot of different things. But for me growing up in North Carolina, the stuff that I was listening to, the things that I was hearing, it was all about black music, about soul music.
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