A Quote by Robert Plant

I like to comprehend more or less everything around me - apart from the creation of my music. It's an obsessive character trait that's getting worse. I don't switch the light on and off 15 times before I leave the room yet, but something's going wrong.
My top tips for deep sleep are to switch off your laptop and mobile at least 30 minutes before bed and leave them in another room. Ditch the bedroom TV; listen to music instead. Get a comfortable eye mask. It takes getting used to, but trust me, it will allow you to sleep deeper and longer.
I'm so fast that last night I turned off the light switch in my hotel room and was in bed before the room was dark.
When I'm not doing readings, I just spend a lot of time alone and try to meditate. Going for walks in nature is also really good for me. It's a way to center myself without having people around, because my ability is less of an on-off switch. It's more like a radio volume dial, so I always have background music in my head.
My life has been less like a light switch suddenly turning on, and more like a dimmer switch slowly turned up, over time, more in some moments than others.
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
You have so much going on. It comes off like a..." "Static?" I suggested. "Exactly!" He snapped his fingers and pointed at me. "You need to tune it, get your frequencies in check, like a radio." "I would love to.Just tell me how." "It's not a matter of turning a dial. You have no on or off switch." He walked around in a large lazy circle. "It's something you have to practice. It's more like being potty-trained. You have to learn when to hold it and when to release." "That's a pretty sexy analogy," I said.
If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."
As a self-employed person, the idea of a break is completely foreign to me. If I completely switch off for any period of time, I know I'm going to pay for it several times over. For me, it's a lot better and easier to stay in touch and know what's going on seven days a week than to switch off.
I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.
I think there can be a misrepresentation of who I am a lot of times because I might be more quiet than other artists. I don't walk in the room going, "Here I am!" I'm going to be the guy standing in the corner taking everything in. I think that can be taken the wrong way, as if I'm not interested in what's going on around, but it's not really the case.
It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
If only men were like New York taxi-cabs and had a light that they can switch on when they're interested and off when they're not available. Then you'd know exactly where you were and you wouldn't have to worry about getting it wrong and being horribly embarrassed. --- Lucy
At home I have a mixing desk that I like playing around on. It's great fun making music myself. And music has always been a very good counterbalance to football for me. It allows me to switch off and relax.
I can pinpoint the moment when my first band recorded, when I was 14 and 15 years old. I always enjoyed writing songs and playing, but there was something about going in and capturing it that felt very Zen and perfect for me. A light switch went on and I just realized that's where my musical capacity was the most suited. I just followed on blind faith that that was like a calling for me.
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