A Quote by Robert Polidori
I've always been accused by my detractors of some sort of moral failure, cowardice, or even lack of humanity by not portraying the human form. I respond that I do better by portraying traces of character and intentions of human volition that no mug or body shot can ever exude.
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Primitive peoples tried to annul death by portraying the human body--we do it by finding substitutes for the human body. Technology instead of mysticism!
Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.
Most important, in portraying gay people... it's just like portraying anybody else.
I think it's important if you are an actor, if you are portraying human life, you have to connect with what is human. It's not easy if you spend a lot of time in L.A. and get sucked into the hedonism of the industry.
A man obsessed with failure has succeeded better than others in portraying it.
I think portraying human beings trying to hold on to their humanity against pretty much certain odds that they'll die horribly in some way someday, and that they'll face horrible things along the way, I don't know - I think that's a beautiful thing. It's a wonderful thing.
Empirical debunking cannot reach the deepest fear of the reactionary mind, which is that the state - that devouring leviathan - will soon swallow up all traces of human volition and dignity. The conclusion is based on conservative moral convictions that reason can't shake.
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
Something 'Drag Race' is really good at is portraying us as artists but also human beings. And normal human beings don't know everything. They don't have all the answers.
The hell of human suffering, evil and oppression is paved with good intentions. The men who have most injured and oppressed humanity, who have most deeply sinned against it, were according to their standards and their conscience good men; what was bad in them, what wrought moral evil and cruelty, treason to truth and progress, was not at all in their intentions, in their purpose, in their personal character, but in their opinions.
My definition of slavery is the deprivation of human volition, any form of relationship between two peoples which is based on the deprivation of volition of one side.
Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."
There are a lot of movies that take place internationally, like Kung Fu Panda portraying a little bit of China, and Ratatouille portraying a little about Paris, but it's hard to find a movie that portrays Rio or Brazil.
You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.
As an actor, you are used to portraying other characters. You can pick up any mannerism or body language that suits the character. But to be yourself and not look pretentious is a difficult thing to do.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
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