A Quote by Robert Preston
I once cured an amateur skydiver of acute acrophobia. Now, you could say he was all right, because he was able to jump. But you could also say he was not all right, because he was so stoned he neglected to open his parachute.
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If you want to be successful, you have to jump, there's no way around it. When you jump, I can assure you that your parachute will not open right away. But if you do not jump, your parachute will never open. If you're safe, you'll never soar!
Step into this moment, because it is the only one you have right now. It is not wasted or thrown away. The divine opportunity could be stolen unless you tell yourself it is here right now; available to you this moment, to make of it anything you choose. Why not choose this moment, right now, to be available to yourself by declaring, I AM GOOD! . . . . The richness of the present is here. The fullness of now is present. If you are not here now, it means you could be missing the love, joy, peace and brand-new ideas that are here right now.
If you sit down with a person, or a watermelon for that matter, when you're stoned and sing into it, the quality of the hallucination is such that there is a way of thinking about it where you could say, 'This is an acoustical hologram of the interior of their body.'" I don't say that.I just say, "My goodness isn't it strange that I seem to be able to see inside of the watermelon when I'm doing this.'
I'm not a guy who wants to skydive and open my parachute at the last minute. I want to open my parachute right away and know what's coming.
One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."
A lot of people ask me, 'How did you have the courage to walk up to record labels when you were 12 or 13 and jump right into the music industry?' It's because I knew I could never feel the kind of rejection that I felt in middle school. Because in the music industry, if they're gonna say no to you, at least they're gonna be polite about it.
I'd rather say no and have said no and do say no often. I walk away from projects if it doesn't feel right; if it's not the right team of people pulling in together or if the script isn't right. It could be a great idea but the script doesn't work.
It was all right. Nick thought about this and decided that what Alan said was true. He'd never been helpless before, not since he could remember, but now he was and everything was all right. He did not have to speak, he was not able to move, all he could do was lie there and have his brother hold him, hunched over and shielding him from the world.
I realize there will not be another Gretzky, and I will be the first one to say I will not break his records, .. But for him to say that I could, it means I am doing something right. It was probably the best compliment I could get. I'm going to remember it.
I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.
Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.
How I was raised was, there were no rules - nothing like that. If I wanted to take a drug because I was in school and everybody was doing it, I could go to my parents and say, "I really want to try this." And they'd say, "If you do this, O.K., but this is what can happen to you..." They'd say, "Don't get it in the streets, because it could be really bad and make you freak out. Don't take it in a crowded place, because you'll panic."
I trained as hard as I could, I ran as much as I could, I sparred hard, I did everything right. I did everything I could possibly do at the age when I could fight. You have to be realistic; you can't say, 'Oh, I am smarter now, older and I can punch harder.' You think you can, but you can't.
Instead of making others right or wrong, or bottling up right and wrong in ourselves, there's a middle way, a very powerful middle way...... Could we have no agenda when we walk into a room with another person, not know what to say, not make that person wrong or right? Could we see, hear, feel other people as they really are? It is powerful to practice this way..... true communication can happen only in that open space.
I think online, like on YouTube and stuff, people could pretty much say whatever they want. They have no filter in their brain, because no one knows who they are. They're totally anonymous, so they could say whatever they want. But when they're in person with me, they wouldn't say those things, because I can actually see who they are.
Right now, I wish I’d stayed because I want you at my side. That sounds pretty selfish, but I don’t mean it that way. You just never needed me that way; I said it to you once as I was leaving—that you love me, but you don’t need me. You don’t lean. But I admire that about you, and I could use some of your strength right now.
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