A Quote by Robert Quillen
Great art is never produced for its own sake. It is too difficult to be worth the effort.
Related Quotes
Cookery is a wholly unselfish art: as 'art for art's sake' it is unthinkable. A man may sing in his bath every morning without the least encouragement, but no cook can cook just for his or her own sake in a like manner. All good cooks, like all great artists, must have an audience worth cooking for.
Nothing in the world is worth having or worth doing unless it means effort, pain, difficulty… I have never in my life envied a human being who led an easy life. I have envied a great many people who led difficult lives and led them well.
I never give in to the temptation to be difficult just for the sake of being difficult. That would be too ridiculous.
Art for art's sake is an empty phrase. Art for the sake of truth, art for the sake of the good and the beautiful, that is the faith I am searching for.
Of such wisdom, the poetic passion, the desire of beauty, the love of art for its own sake, has most. For art comes to you proposing frankly to give nothing but the highestquality toyourmomentsasthey pass,and simply for those moments'sake.
Joy of life... depends upon a certain spontaneity in regard to sex. Where sex is repressed, only work remains, and a gospel of work for work's sake never produced any work worth doing.
A people may become great through many means, but there is only one measure by which its greatness is recognized and acknowledged. The final measure of the greatness of all peoples is the amount and standard of the literature and art they have produced.... No people that has produced great literature and art has ever been looked upon by the world as distinctly inferior.
There is no problem that is not improved by effort, and no effort that is too paltry to be worth undertaking.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
..."And for God's sake, never get into the petty habit of measuring your self-worth against other people's net-worth. As Yogi Ramen preached: 'Every second you spend thinking about someone elses dreams you take time away from your own.'"
No nation has ever produced great art that has not made a high art of cookery, because art appeals primarily to the senses.
In earlier years, a lesser effort produced literally dozens of comparable opportunities. It is difficult to be objective about the causes for such diminution of one's own productivity. Three factors that seem apparent are: (1) a somewhat changed market environment; (2) our increased size; and (3) substantially more competition.
It cannot be too plainly stated that it is quite unimportant whether photography produces 'art' or not. Its own basic laws, not the opinions of art critics, will provide the only valid measure of its future worth.
It's as interesting and as difficult to say a thing well as to paint it. There is the art of lines and colours, but the art of words exists too, and will never be less important.
Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.
The Daoist appeal to simplicity can be very appealing to the many of us who feel that contemporary life is overwhelming. "Less is more" can be a call to identify what it is we really need and appreciate doing for its own sake, as opposed to what we have been socialized into wanting, often to our detriment, or becoming consumed by activity that we would never do for its own sake but only for the sake of something else.
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