A Quote by Robert Quillen
If we wish to make a new world we have the material ready. The first one, too, was made out of chaos.
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Most people go, I wish for world peace. But chaos has a place in balancing out the light and the dark in the world. I don't know if I would wish for world peace.
Make a wish," said Indigo. Rose made a wish and then asked, "Why?" "That's what I always do. Wish on the moving ones." "Does it matter how fast they move?" "I don't think so." "Can you wish on airplanes, too?" "Oh, yes.
It's a mental fake-out to myself. I make believe I'm making a new show so I forget the material I was working on and make up some fresh material.
It shouldn't be difficult, then, to make the transposition at this point into the early Christian vision of Jesus and the Spirit and the way in which the material world is both celebrated and renewed through their work. The Jewish basis for the early Christian patterns of belief and behavior is clear. It is important that God's people are embodied, because God made this world and has no intention of abandoning it. The material of creation is a vessel made to be filled with God's new life and glory, even though the transformation may involve suffering, persecution, and martyrdom.
I think that's necessary in photography. We try to simplify the chaos that's out there - and that's true of the natural world as well as the mad-made world. Clearly, it's easier in the mad-made world because it has already been structured.
The time that it takes to make the feature is really contingent on the feature being sort of almost ready-made - so coming to a book is more ready-made. You at least have the story that someone sorted out.
From 2002 to the end of his presidency, George W. Bush routinely was accused by the Left of 'creating chaos:' chaos in Iraq, chaos in Afghanistan, chaos in the Muslim world, chaos among our allies.
So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life.
In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.
For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation.
When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.
...by the time we understand the pattern we are in, the definition we are making for ourselves, it's too late to break out of the box. We can only live in terms of the definition, like the prisoner in the cage in which he cannot lie or stand or sit, hung up in justice to be viewed by the populace. Yet the definition we have made of ourselves is ourselves. To break out of it, we must make a new self. But how can the self make a new self when the selfness which it is, is the only substance from which the new self can be made?
Out of chaos God made a world, and out of high passions comes a people.
I want to make new and interesting music out of pop music in a way that isn't ironic. I want to stay sincere to the source material but at the same time manipulate it and take it to a new world.
Coming from a background as unique as mine, the first challenge is being able to identify chaos as chaos. For the first half of my life, I interpreted chaos as normal. Today, I am aware that I have triggers: a default way of thinking that is often not relative to the immediate moment. Therefore, in the midst of chaos, I have learned to relinquish all my premature cognitive commitments and become present.
All material Things seem to have been composed of the hard and solid Particles ... variously associated with the first Creation by the Counsel of an intelligent Agent. For it became him who created them to set them in order: and if he did so, it is unphilosophical to seek for any other Origin of the World, or to pretend that it might arise out of a Chaos by the mere Laws of Nature.
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