A Quote by Robert Rauschenberg
I don't like masterpieces having one-night stands in collectors' homes between auctions.
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My theory with the auctions has been to try to make them like a party, like a social event. If people are having a good time, talking with their friends, they're much more likely to bid.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
Many artists and critics see collectors like kids see their parents: as the ones with money and power who just don't get it. Once they start to mingle with the collectors and learn that they are people who have achieved something who then expand into art, they change their minds.
Artists need a lot of collectors, all kinds of collectors, buying their art.
Art is like an avalanche being poured down your throat. You know it's going to crack, eventually it's going to go out of fashion. I wish there was much less happening. I wish there were fewer art dealers. I wish there were fewer auctions. I wish there were just two auctions a year.
There is a distinction to be drawn between true collectors and accumulators. Collectors are discriminating; accumulators act at random. The Collyer brothers, who died among the tons of newspapers and trash with which they filled every cubic foot of their house so that they could scarcely move, were a classic example of accumulators, but there are many of us whose houses are filled with all manner of things that we "can't bear to throw away.
I imagine witches to be people who sit around like my witty grandmother, people who are injustice collectors or humiliation collectors. I choose to imagine that's what a witch is. The reason witches are so evil is because they're so unhappy and so hurt.
I'm like a rock singer with one-night stands on the road.
We are trained to distinguish between journalism that's short and long, that's responsible and irresponsible, that stands for the right values and stands for the wrong.
Somehow, conductor as this superhuman conduit between the masters and the masterpieces and the immortals.
I like the fog that creeps over the whole city every night about five, and the warm protective feeling it gives...and lights of San Francisco at night, the fog horn, the bay at dusk and the little flower stands where spring flowers appear before anywhere else in the country...But, most of all, I like the view of the ocean from the Cliff House.
When I spend time at North Shore Animal League America, I always feel so sad for the cats, especially the kittens. Once they're at North Shore, they're safe and I know they're going to find homes, but it's that time in between that they're in cages and waiting to find homes that breaks my heart and I feel like their spirits are gone.
It stands for diversity. It stands for vision and strength. It stands for belief in the right things. That's what I think it stands for.
I have been constantly working on the interiors of my homes in Delhi, Goa, Dubai, Mumbai, and the Red Chillies Building. I had been designing homes, too. Having a background in art, graphic design, and charcoal helped me in my work immensely.
The only reason a road is good as every wanderer knows / Is just because of the homes, the homes, the homes to which one goes
A certain number of people have to live their lives outdoors between 8 a.m. and 8 p.m., and a certain number of people can only leave their homes between 8 p.m. and 8 a.m. So basically, public life has to be lived in these shifts, in order for everyone to fit on the streets because there's just no more room for any more infrastructure, any more highways. So it polarizes the community into day people and night people, and it becomes sort of a metaphor for racism and classism.
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