A Quote by Robert Rauschenberg
I prefer images that are less specific, so there is room for everyone's imagination.
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When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images?things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
There's nothing like a shipwreck to spark the imagination of everyone who was not on that specific ship.
I have always said that archival images are images without imagination. They petrify thought and kill any power of evocation.
First and foremost, you have to remember that restaurants are businesses and they have to stay in business. And though everyone thinks they want grass fed beef, most people actually prefer the taste of corn fed - it is less dry, more marbled, and less gamey, not to mention much less expensive than grass fed.
First and foremost, you have to remember that restaurants are businesses and they have to stay in business. And though everyone thinks they want grass fed beef, most people actually prefer the taste of corn fed - it is less dry, more marbled, and less gamey, not to mention much less expensive than grass fed.
Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work.
Everyone has his own specific vocation or mission in life; everyone must carry out a concrete assignment that demands fulfillment. Therein he cannot be replaced, nor can his life be repeated, thus, everyone's task is unique as his specific opportunity to implement it.
I prefer drawing to talking. Drawing is faster, and leaves less room for lies.
Know that there's enough room for everyone to be passionate, creative & successful. In fact, there's more than room for everyone; there is a need for everyone.
Television broadcasts have, in the main, been more suggestive, less specific, more distant in their images than the print press: often you knew that lump was a dead body only because a chattering reporter told you it was.
What Warcollier demonstrated is compatible with what modern cognitive neuroscience has learned about how visual images are constructed by the brain. It implies that telepathic perceptions bubble up into awareness from the unconscious and are probably processed in the brain in the same way that we generate images in dreams. And thus telepathic “images” are far less certain than sensory-driven images and subject to distortion.
First, those images help us understand the general and specific magnitude of disaster caused by the tsunami. The huge outpouring of aid would not have happened without those images.
Digital living will include less and less dependence upon being in a specific place at a specific time, and the transmission of place itself will start to become possible.
Custom developed digital weapons, cyber weapons nowadays typically chain together a number of zero-day exploits that are targeted against the specific site, the specific target that they want to hit. But it depends, this level of sophistication, on the budget and the quality of the actor who's instigating the attack. If it's a country that's less poor or less sophisticated, it'll be a less sophisticated attack.
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.
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