A Quote by Robert Rauschenberg
There is no reason not to consider the world as one gigantic painting.
Related Quotes
Like the people that in the 60s or 70s claimed the "end of painting" - all they did was open up a whole new branch for painting. Happily, it doesn't work. It's not a reason for art. Closing something out is not a reason for something to exist.
I'm a tireless worker; I don't consider painting a work, it is not an obligation, I do it for pleasure; I haven't found anything that amuses me more than painting.
The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
Painting is traditional but for me that doesn't mean the academy. I felt a need to paint; I love painting. It was something natural - as is listening to music or playing an instrument for some people. For this reason I searched for themes of my era and my generation. Photography offered this, so I chose it as a medium for painting.
Those who invalidate reason ought seriously to consider whether they argue against reason with or without reason.
I have never really liked gigantic-scale painting. I think that so many artists are seduced by scale - "Well, if I make it that big then it has to go in a museum."
That sculpture is more admirable than painting for the reason that it contains relief and painting does not is completely false. ... Rather, how much more admirable the painting must be considered, if having no relief at all, it appears to have as much as sculpture!
The anarchists, on behalf of the proletariat, therefore consider it necessary to show the proletariat that it will have to win a gigantic battle before it realizes its goals.
Yes, America is gigantic, but a gigantic mistake.
I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
I tried different techniques during my career, but I especially fell in love with painting with oil and pallette-knife. Every artwork is the result of long painting process; every canvas is born during the creative search; every painting is full of my inner world.
The claim is also sometimes made that science is as arbitrary or irrational as all other claims to knowledge, or that reason itself is an illusion. As Ethan Allen said Those who invalidate reason ought seriously to consider whether they argue against reason with or without reason; if with reason, then they establish the principle that they are labouring to dethrone. If they argue without reason, which they must do, in order to be consistent with themselves, they are out of reach of rational conviction, nor do they deserve a rational argument.
Let us consider the reason of the case. For nothing is law that is not reason.
When you think of painting as painting it is rather absurd. The real world is before us - glorious sunlight and activity and fresh air, and high speed motor cars and television, all the animation - a world apart from a little square of canvas that you smear paint on.
When I was doing just the underwater, I don't think people could relate to it at first. Then I added the land, which was a painting called, Two Worlds. For some reason that particular painting gave people something to hold onto.
I consider painting as a means of expression, not as a goal.
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