A Quote by Robert Rauschenberg
I got so I was really just sick of sculpture.
Related Quotes
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
Man is really not freeing many aspects. He is dependent on his social circumstances, but he is free in his thinking, and here is the point of origin of sculpture. For me the formation of the thought is already sculpture. The thought is sculpture.
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
I love sculpture, and minimal sculpture is really my favorite stuff, but I wasn't very good at it, and I don't think in a three-dimensional way.
I've just got a really sick sense of humour that's separate from reality.
I was just sick of being fat, you know? You get sick of it. It just really, it's a tiring lifestyle to have.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
I had no intentions of going into sculpture but found that sculpture was just an extension of drawing.
I remember my first friend who got sick. It was 1981, and the disease was called the gay cancer. I don't think the word 'AIDS' came out until '84. I just remember it being terrifying as more people got sick. We didn't know how you could catch it, you heard all kinds of crazy things.
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
I'd been sick on tour for about two years with this medical anomaly that doctors couldn't figure out. That's a big part of my life: I just feel really sick a lot of the time and can't figure out why. I'd gotten these shots in Russia, where we'd just been. It was just heavy. It's just heavy performing for people who really care about you, and you don't really care that much about yourself sometimes.
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also, he's brought back to sculpture a nervous sensitivity which the 'pure carving' side of sculpture can lose sight of altogether.
I started doing sculpture rather than painting. I was halfway through my degree, and I hadn't really done any introduction courses in sculpture... I'd missed all the technical stuff. I didn't really know how to weld or forge or carve or model. I'd sort of evaded all those technique classes, so I had no technique.
If sculpture can really deal with the body, because we all inhabit ourselves, and if sculpture can really do that, which it is supposed to be able to do, and through it ask questions, philosophical questions, about being, I think these are all things we work on, all of us in our different ways, so perhaps somewhere in there, there are moments where dumb objects can speak.
I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.
You can't underestimate the sickness of the American people right now. They're really sick. And, that's, I'm more angry at the sick Americans than I am at Obama or Hillary Clinton. I'm really angry at the sick Americans.
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