A Quote by Robert Rauschenberg
But I found a lot of artists at the Cedar Bar were difficult for me to talk to.
Related Quotes
It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money.
We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"
Fortunately for me, I was able to see the newspaper and saw that they were hiring in a new program called the Cedar Program, and I recall going to one of my Olympic buddies and saying, "Hey, man, this might be a shot in the arm for us. Let's go down and apply for these Cedar jobs."I took a job as a gardener caretaker.
Engineering didn't take to me. And what saved me and kept me in college was I ran into ROTC cadets who were in a fraternity called The Pershing Rifles. And I found my place. I found discipline. I found structure. I found people that were like me and I liked.
I was known for being talented, but I was still the fat girl. And it wasn't what people were looking for. There's a lot that you hear. There's a lot of cruelty out there. Some of it comes from the executive offices. It comes from other artists at times. It was a very difficult thing to overcome.
When the magazines talk about artists they talk about the Paul McCartneys, the Paul Simons, they never talk about me. So their readers and contemporary artists are never going to check me out because they're not reading about me.
As a young lawyer, I learned to try to find common ground with people, to look for a human connection. When I got to the Senate, despite the fact that there were a lot of people who didn't want me to get there - and were sure they'd never even talk to me, let alone work with me - I really tried to do the job I was sent there to do by the people of New York, which was to get things done for my constituents. I worked with Republicans, and we found a lot of common ground. It isn't easy, but it's part of what we have to do in politics today.
A lot of artists talk about getting out of their comfort zones and being the most proud of their newest album. But it is true for me. I rethought a lot of what I do.
It's been difficult for me to get my head around Diana's death or talk about it. After she died, things were difficult, very difficult. We all have our own traumas and get on with it. But when it's there in your face year in, year out, it's hard.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.
I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.
When I was a boy I first learned how much better water tastes when it has set a while in a cedar bucket. Warmish-cool, with a faint taste like the hot July wind in Cedar trees smells.
It wasn't until I found my tribe of artists - people who were outspoken and not afraid to say what they thought, whether in a song or a dance or a piece of classical music - that I found a refuge.
God, you mean I lost my virginity to the apocalypse?" Morgan sighed again. "The whole thing was really embarrassing; my parents sent me to Brooklyn when they found out." She shrugged. "I thought I’d be safe in a gay bar, okay? What were you doing in there anyway?" Lace looked at me sidelong. "You were where?" I took a sip of beer, swallowed it. "I, uh, hadn’t been in the city...very long. I didn’t know.
I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
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