A Quote by Robert Redford
I look at going to Hollywood as going behind enemy lines. You parachute in, set up the explosion, then fly out before it goes off.
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Hiding is not an option and you're going to step out and you're going to make mistakes. I'm going to look stupid. I'm going to say things I want to retract. I'm going to sing notes I wish I could have back, there's just no getting around the stumble, but if you stumble enough times you're going to fall off the edge and have no choice but to freakin' fly.
Get back up, shake the dust off and keep going. Keep going, because Hollywood is set up to make you fail.
The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.
Al Gore’s not going to be rounding up Jews and exterminating them. It is the same tactic, however. You got to have an enemy to fight. And when you have an enemy to fight, then you can unite the entire world behind you, and you seize power. That was Hitler’s plan. His enemy: the Jew. Al Gore’s enemy, the U.N.’s enemy: global warming.
I find it difficult to work if I don't know the lines, you know, and not just knowing - they're second nature to me. Then, whatever happens in the performance when you're actually doing it, you're not going to go off. You're going to retain all of that. So I like to have my lines.
Hollywood has a lot of barriers set up for everyone. If you can live with it, and you can break through, then you're going to do OK.
Look, fundamentally there are two sets of questions that apply in the war against terrorism. The one set of questions deals with the, "Where is it going to happen? What's going to happen? When is it going to happen?" The other set of questions deals with, "What is it that our enemy, the terrorists, are trying to achieve?" What are they trying to induce us to do?
When you edit, you imagine your enemy is seated on the other side of the table. Your enemy! And your enemy is going to read that with a viciousness, because he knows where you didn't work on it. He's going to shake it and really aim for that jugular. So you are going to polish, and revise, and rewrite, and cut out, and shape it, so that your enemy has no place to grip it. That's how you revise.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
Nothing is worse for me, as an actor, than when I walk on a set and the director goes, "Okay, you're going to be standing here, the other person is going to be standing here, and you're going to move to there and then do the scene." That doesn't help actors.
I used to play Barbies with my Mormon neighbor friend; it was always, "Oh, we're going to go on a date. Ken's taking us out, and we're going with Ken on a date." And I was like, "We're parachuting behind enemy lines to save the Jews." That's how I played Barbies. I was told when I was a girl that every Jewish woman has to have five children to replace three fifths of our people that were killed. That's how I was raised.
If you don't think, and you have no wit and you have so many hangups that you can't look beyond your cup of coffee then you're never going to understand what I'm really saying. Because you know what? You're going to shut down and close off before you hear me. If I'm threatening you, you're going to see it the way you need to see it so you can dismiss me.
I've had relationships before where you break up, and you think you're going to die, and then you realise you're definitely not going to die, and actually, you're probably better off without them.
I had this spooky psychological thing about 'The Piano' before it began, which was how everybody was going to go nuts on the set. Because a film tends to set up the way people are going to behave.
I made 'Enemy' to prep myself for 'Prisoners.' I had the need to direct something smaller in English before going to Hollywood. That's the way I sold it to Warner because they asked me if I was berserk to make a movie right before.
Maybe you'll take the cash out. So a credit card company or a bank that goes into the business of saying we're going to be the broker, we're going to sell you a mortgage that you're going to be able to pay off, we're going to help you reduce your credit card debt, we're going to help you save for retirement, we're going to put you into mutual funds that have low fees rather than high fees.
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