A Quote by Robert Redford

I was never a good student. I had to be dragged into kindergarten. It was hard to sit and listen to somebody talk. I wanted to be out, educated by experience and adventure, and I didn't know how to express that.
I was coming home from kindergarten - well they told me it was kindergarten. I found out later I had been working in a factory for ten years. It's good for a kid to know how to make gloves.
And, of course, there were some times when I had writer's block and I had a hard time figuring out how to express what I wanted to express.
Sometimes, the best thing to do is just to sit down and listen to another person's experience and listen how they express themselves and want to be seen by others.
I started culinary school at a very young age, and really I wanted to be out working, cooking, more than I wanted to be in a classroom. You could say I wasn't a very good student - I wanted to be a student of life and experience.
After reading Graham Greene and Joseph Conrad when I was a student at Yale, I wanted to live in the world they captured in their books. I had had some experience living in Africa. I was drawn to that kind of adventure.
I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.
When a new record came out, the world would stop that day, and we would sit in somebody's house - whoever had the best stereo system - and sit in the middle of the two speakers and listen and discuss and listen again and go over the album notes and get out the guitar and start playing it and discuss and play some more.
If your kitchen table is like mine, you sit there at night before you put the kids to bed and you talk about what you need. You talk about how much you are worried about being able to pay the bills. Ladies and gentlemen, that is not a worry John McCain has to worry about. It's a pretty hard experience. He'll have to figure out which of the seven kitchen tables to sit at.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
Faulkner turned out to be a great teacher. When a student asked a question ineptly, he answered the question with what the student had really wanted to know.
There's really educated women out there who are feminists and they have read up on their stuff. They can talk to me right now, and school me on some things I've never known, and that's amazing, you are a scholar, you are wise, you are educated. But the unfortunate thing is also the reality, and the fact is, millions of people might not even know who these educated feminists are - hundreds will, thousands maybe.
I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.
My acting experience has been a benefit. What I learned from directors is how to listen to and talk with actors. I know how they think and what they need.
The most important thing in all human relationships is conversation, but people don’t talk anymore, they don’t sit down to talk and listen. They go to the theater, the cinema, watch television, listen to the radio, read books, but they almost never talk. If we want to change the world, we have to go back to a time when warriors would gather around a fire and tell stories.
I don't know how many times I can sit there and talk about my character or my life. It's interesting to talk about experiences in the context of something you're doing for somebody else, and particularly if you can persuade others to join you in your support.
What a good session musician does is listen to the song, to the artist, and to the other players. That way you can help bring out the song and help the artist express what they want to express. It's never about you stepping out and showing you can play something fancy.
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