A Quote by Robert Redford

I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet.
I was an art student when I was a boy, and as an art student you don't have to talk to anyone - you just have to paint really wonderful paintings. It's very unlike being an actor, where you have to talk all the time.
I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old. . . When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence.
François Mitterrand was a student of architecture, he had done a lot of research before he called me. He said, "You did something special at the National Gallery of Art in Washington - you brought the new and the old together." But John Russell Pope finished the West Building in 1941, so when the East Building opened it was only about 40 years old. But the Louvre is 800 years old! A much bigger design challenge.
A Student is the most important person ever in this school...in person, on the telephone, or by mail. A Student is not dependent on us...we are dependent on the Student. A Student is not an interruption of our work..the Studenti s the purpose of it. We are not doing a favor by serving the Student...the Student is doing us a favor by giving us the opportunity to do so. A Student is a person who brings us his or her desire to learn. It is our job to handle each Student in a manner which is beneficial to the Student and ourselves.
I did this class when I first moved to California. It was a 'Kids on Camera' class up in the Bay Area. That was good for just getting me excited in acting and everything. Then once I started working down L.A., I just stuck to my acting coach, and she helps me prepare with auditions and that sort of thing.
There is this thing called Actors Access, which is run by the breakdown services. What they do is they put up casting notices that are available to everyone. Because there's thousands and thousands of actors and there are student films and grad student films and, sometimes, some small independent projects that are on there.
I went to New York in 1974, to either try to get a record deal, get into the New York Art Student League, or be a dancer. So that was my plan. Some plan. And I had no money.
I soon realized that a student of English literature who does not know the Bible does not understand a good deal of what is going on in what he reads: The most conscientous student will be continually misconstruing the implications, even the meaning.
I had done student films for the School Of Visual Arts and for NYU and all these schools in New York, so those were my first film experiences, but they were student films, so I guess they don't really count.
I was a good student. I started college at 16 years old and did okay.
I did a lot of student acting when I was young.
The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me
The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
My father is a college professor and that's about the extent of my college experience. I'm sort of a professional student forever. I think just as human beings we always have a student who is alive in us and is waiting to pop up and make us feel like we are 16 years-old again.
I was a bad student. I liked archaeology actually, I was interested in maybe becoming an archaeologist but I was such a bad student and had such bad grades that I wasn't going to get into any really good college so I fell back on acting.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
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