A Quote by Robert Ripley
He was making all kinds of sounds apparently with his mouth, and shaking his head and I thought, gosh, is he trying to stop the orchestra? Is it all wrong? It was just unbelievable.
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We over-estimate the conscience of our friend. His goodness seems better than our goodness, his nature finer, his temptations less. Everything that is his,--his name, his form, his dress, books, and instruments,--fancy enhances. Our own thought sounds new and larger from his mouth.
She's tired and leans her head on his shoulder, which is the resting place for all their heads, but when Justine and Siobhan and Francesca use his body so shamelessly he doesn't feel the need to turn his head and press his mouth against their hair.
After reading a paper by a young theoretical scientist, Pauli, shaking his head sadly, commented:
That is not even wrong.
I'm serious, Harry, don't go." But Harry only had one thought in his head, which was to get back in front of the mirror, and Ron wasn't going to stop him. That third night he found his way more quickly than before. He was walking so fast he knew he was making more noise than was wise, but he didn't meet anyone. And there were his mother and father smiling at him again, and one of his grandfathers nodding happily. Harry sank down to sit on the floor in front of the mirror. There was nothing to stop him from staying here all night with his family. Nothing at all.
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
From the way Denny's shaking his head, he's either got an injured shoulder or a gnat in his eye.
Across from me at the next row of supports Jim raised his hand and touched his fingers to his thumb a few times, imitating an opening and closing beak. Negotiate. He wanted me to engage a lunatic who had already turned four people into smoking meat. Okay. I could do that. “Alright, Jeremy!” I yelled into the night. “Give me the salamander and I won’t cut your head off!” Jim put his hand over his face and did some shaking. I thought he was laughing, but I couldn’t be sure.
The essence of justice is mercy. Making a child suffer for wrong-doing is merciful to the child. There is no mercy in letting the child have its own will, plunging headlong to destruction with the bits in its mouth. There is no mercy to society nor to the criminal if the wrong is not repressed and the right vindicated. We injure the culprit who comes up to take his proper doom at the bar of justice, if we do not make him feel that he has done a wrong thing. We may deliver his body from the prison, but not at the expense of justice nor to his own injury.
When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.
My day-old son is plenty scrawny, his mouth is wide with screams, or yawny; His ears seem larger than he's needing, His nose is flat, his chin's receding. His skin is very, very red, He has no hair upon his head, And yet I'm proud as proud can be, To hear you say he looks like me.
I thought I dreamed you." The words whisper from my parched throat. His head tilts to one side, his mouth shifting to something less sarcastic, more amused. "That may be the most enchanting thing I've ever been told after spending the night with a girl.
Immortality—dazzling idea! who first imagined thee! Was it some jolly burgher of Nuremburg, who with night-cap on his head, and white clay pipe in mouth, sat on some pleasant summer evening before his door, and reflected in all his comfort, that it would be right pleasant, if, with unextinguishable pipe, and endless breath, he could thus vegetate onwards for a blessed eternity? Or was it a lover, who in the arms of his loved one, thought the immortality-thought, and that because he could think and feel naught beside!—Love! Immortality!
I think that if anything can be proved by natural theology, it is that slavery is morally wrong. God gave man a mouth to receive bread, hands to feed it, and his hand has a right to carry bread to his mouth without controversy.
First,” he said, coming behind me and placing his hands on the counter, just outside of mine, “choose your tomato.” He dipped his head so his mouth was at my ear. His breath was warm, tickling my skin. “Good. Now pick up the knife.” “Does the chef always stand this close?” I asked, not sure if I liked or feared the flutter his closeness caused inside me. “When he’s revealing culinary secrets, yes.
His mother got her purse. His father reached for the door. "Scooter," he said, by way of good-bye, "have fun with your friends." But Hale was shaking his head. He put his arm around Kat's shoulders. "She's not my friend, Dad. She's my girlfriend." Hale's parents must have walked away, but Kat wasn't looking. She was too busy staring up at Hale, trying to see into his eyes and know if he was okay. The sadness that had lingered for weeks was fading, and the boy that held her was the boy she knew. A boy who kissed her lightly.
...Bringing the very heavens close enough to touch. It was Zsadist. His eyes closed, his head back, his mouth wide open, he sang. The scarred one, the souless one, had the voice of an angel.
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