A Quote by Robert Riskin

You shouldn't be looking at the bottom of the mountain. Why don't you try looking at the top some time? — © Robert Riskin
You shouldn't be looking at the bottom of the mountain. Why don't you try looking at the top some time?
I love pencil skirts, but I'm always looking for a top. And then I'm afraid, by myself, to match, to try colors. When I wear a dress, I know the top matches the bottom. So I can't make a mistake.
Some in management positions operate as if they are in a tree of monkeys. They make sure that everyone at the top of the tree looking down sees only smiles. But all too often, those at the bottom looking up see only asses.
I try to dress the bottom I have. The body I have and the bottom I have. I have the intention of looking fabulous every time, and I care about it a great deal. I'm very vain.
I have found some of the best reasons I ever had for remaining at the bottom simply by looking at the men at the top.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I know you're looking for a ruby in a mountain of rocks, but there ain't no Coupe de Ville hiding at the bottom of a Cracker Jack Box.
You look at some of the top teams in the world that have got the best strikers, and they are looking to buy another top striker. But if you have got a top goalkeeper, you are not often looking to buy another goalkeeper.
When you do a really good play, the audience and the performers are looking into the same looking glass, the same microscope. And the specimen they are looking at is human life and that's why I do it, that's why I like it.
I could not forbear getting up to the top of a little mountain, and looking out to sea, in hopes of seeing a ship : then fancy that, at a vast distance, I spied a sail, please myself with the hopes of it, and, after looking steadily, till I was almost blind, lose it quite, and sit down and weep like a child, and thus increase my misery by my folly.
We are like people looking for something they have in their hands all the time; we're looking in all directions except at the thing we want, which is probably why we haven't found it.
It's - everybody's looking at the bottom line all the time, and failure doesn't look good on the bottom line, and yet you don't learn anything without failing.
One of the jobs of art is to inspire discussion, and Brokeback Mountain certainly has done that. It's like a window and a mirror. You're looking through a window at lives you may or may not have experienced. But it's a mirror in the sense we've all felt lonely; we're all, at one time or another, looking for and hoping for love.
Every time you write a song, you're looking for some sort of perfection, and you never quite reach it. You're always looking for that extra missing piece.
I'm over smoking. You know, I feel like I've gone on long hikes and gotten to the top of the mountain and I'm looking at something beautiful, some great huge landscape, and there's some of the cleanest air that's on the planet. And then I light up, and say, "Ahh, what a great smoking moment this is!" So it's something evil that's taken over, and I want control over it.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
Tech is not looking for inclusion per se, but they're looking for assimilation. They're looking for Blacks and Latinos and women, but they are looking for these groups as versions of themselves.
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