A Quote by Robert Sapolsky

I think you get to a time in life where by definition stuff's turning to quicksand and wherever you can get some solid footing of the familiar suddenly becomes real comforting.
When we're being grateful it means that we're acknowledging that life is a gift, that life is a blessing, that this body is only here for a short period of time and it really shifts the whole internal landscape of the mind and it puts things into perspective and it allows us to get our bearings. To get a firm footing in what's real, and then go from there.
You get so brainwashed. You're on the road 300 days a year, and that's why guys get so messed up. This life becomes a part of them. It's not real, but some guys who are still in the business think it is.
I don't have time to celebrate accomplishments. When good things happen, it's great, and obviously I get excited inside. But soon I gotta do something else; I gotta keep doing more stuff. The whole world will never be familiar, so I'm constantly going to be on a quest to get familiar.
We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.
There are a lot of distractions when you're in creative industries like publishing or fashion or media, and it's a real blessing to have witnessed some of those up close at a young age. I think when you get past the glamour, that's when you get to the good stuff - the stuff that really feeds your soul and enriches you as a person.
I have been doing stuff for a long time now and you would be in people's consciousness. But when you get something like a gift to play Ted Hastings, and some fabulous writing to get behind and a great crew, it suddenly allows people to go - 'I always knew he was good.'
For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job.
For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job
I don't care who anybody sleeps with. If a couple has been together all that time - and there are gay relationships that are more solid than some heterosexual ones - I think it's fine if they want to get married. I don't know how people can get so anti-something.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel." The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve." All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.
There's more to life than being an actor in a Hollywood movie. I'm not going to adapt my life after that existence, where a lot of people do. And they get the publicist, and they get all that stuff, and it becomes them. I think it's a stupid way to live your life. A really dumb way to live your life.
Don't get too set on becoming an actor at an early age. I think that's where some people get into trouble. Acting becomes their life. I don't want that.
I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.
At a certain age, death becomes familiar to you-or a loss becomes familiar-the tragedies that are more commonplace in life.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
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