A Quote by Robert Sapolsky
Trying to get somebody excited about learning and trying to get somebody to think in a moral context have begun to have a lot more significance to me.
Related Quotes
I'm obsessed with trying to understand what somebody is talking about and trying to get them to understand me.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
If I wasted my time trying to be like everybody else when I was 10 and 11, I wouldn't be me today. So if you are gonna be the future rockstars, the future somebody, whatever you wanna be then you're wasting your time trying to be somebody else, because you'll never get to you.
You cover the bad news about America. You do. But you don't get up in the morning hating your country. And so, until somebody shows me lines at the border trying to get out, I think there's some good news.
There are a lot of times I have seen someone fight, and I think the guy is tailor made for me until they actually get in the ring with me. Fighters that are more aggressive match up better with me. There is really no defense when a guy is trying to get you. When a guy is trying to get you, you cannot get him, which makes the most compelling fight.
It's not an epitaph. I felt I could look back at my life and get a good story out of it. It's a picture of somebody trying to figure things out. I'm not trying to create some impression about myself. That doesn't interest me.
Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.
Tell me what's wrong with this idea: If you're selling to somebody, find someone like that person to sell to them. If you're trying to reach swing voters, if you're trying to reach people on the fence, if you're trying to reach Republicans who are unsure about this candidate... get people who switched! Get people who are registered Republicans. Get people who were George Bush voters who can't bring themselves to do it again. Talk to them, get them to explain what their reasons are, and show them to people. What's wrong with this idea?!
I don't have emotions about a lot of things. I rarely get angry, I rarely cry. I guess I do get excited a lot, but I don't get sad and enormously happy. I think a lot of people who talk about all that crap are lying. Right now I'm just trying to maintain happiness — that's all I really care about. Anyway, when you're my age and your hormones are kicking in, there's not much besides sex that's on your mind.
I think part of the bad thing is that skill is emphasized so much that a lot of people, by the time they get to Juilliard, well I think they kind of forget why they got into music in the first place and if they're performers - this is a simplification, but a lot of them are trying to win a competition and play more accurately, or better, or more beautifully, whatever can be measured, than somebody else.
A person who can go out and get 40 is going to get a lot more respect than somebody who goes out and holds somebody to two points. It's just the nature of the game. It doesn't bother me.
It's tough to make music and make it your own, and not have somebody call it something you don't agree with but can't control. Sometimes the press doesn't realize how much power they have and how they can shape somebody's life. I think there's a lot of people just trying to make music and get their art out there, and their heads get f**ked by the press calling them this or calling them that.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
It's usually drawing on personal experience. I don't think I could dig deep enough trying to get into somebody else's life. Like 'Far From Me' - I wrote it about this waitress that I was dating when I was fifteen or so, and she broke up with me.
Anytime you're out there in between those ropes, you always have to worry about fatigue. If you think about it, people get tired just doing cardio. You get tired doing cardio just by yourself. Now imagine running around, picking somebody up, picking you up, trying to pin you, trying to hold you down. It gets very tiring.
The butterflies I get are not if somebody boos me in the crowd, or somebody talks trash about me during the week, or somebody on ESPN rips me. It's the pressure that I'm putting on myself.
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