A Quote by Robert Sapolsky

I used to be a very serious pianist, and I was one of the snot-nosed classical ones who was appalled by nightmares of Ethel Merman and trombones blasting in the background and who knows what else.
I worshipped Ethel Merman and I worshipped Ethel Merman a lot. It's incredible - Ethel Merman was a conventional singer. Her naming her child Ethel Merman, Jr., was, to me, one of the coolest feminist things.
When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.
My grandmother was a classical pianist, so I grew up with Schubert, Mozart, Beethoven. I studied piano as a kid. My musical background and upbringing was very much a mix.
I'm screaming for help and everybody's acting as if I'm singing Ethel Merman covers.
Musicals have clearly gotten more physical. You never saw Ethel Merman doing step aerobics.
My singing voice has sort of an Ethel Merman-type quality: just, like, loud and strong and full.
And who are you supposed to be? the King of snot-nosed delinquents?
There have been people who have tried to take advantage of me. They want to be linked to me just because I'm Ethel Merman.
Boy George always told me to stop noodling; he wanted me to belt like Ethel Merman.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
My aunt used to say, "It's between me and my god; it's got nothing to do with you." It was a good enough answer for me as a snot-nosed college kid angling for a religious debate, and I still think it's a good way of putting it.
The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist.
Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
I was a snot-nosed teenage skater at one point, who listened to only punk records and hung around people that had that idea of what is okay to do and what isn't okay to do.
I come from a very strenuous, strict, disciplined classical music background. My grandfather, noted Carnatic classical exponent Dr. Sripada Pinakapani, was a Padma Bhushan recipient.
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