A Quote by Robert Schumann

We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart. — © Robert Schumann
We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart.
I listened to the pure crystalline notes of one of Mozart's concertos dropping at my feet like leaves from the trees.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
The fact that most people do not understand and respect the very best things, such as Mozart's concertos, is what permits men like us to become famous.
I never thought I would write the way that I write for the studios now, which is like, not little novels, but be someone who literally is more like, you know, sometimes I guess we describe, we're more Salieri than Mozart.
You can practice for 30 years and still not be a Mozart. The most lethal combination would be a Mozart who practiced for thousands of hours.
When I started, my teachers told me that I had to sing 'Mozart, Mozart, Mozart.' I said, 'No, I want to sing all the other stuff.' If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
When I started, my teachers told me that I had to sing Mozart, Mozart, Mozart. I said, No, I want to sing all the other stuff. If you do not push yourself, you will stay the same. Maybe some singers are happy with that, but I have to move, I have to do something new always.
Don't forget that Mozart worked on commission. He almost always would write something if he knew exactly who was paying for it and where it would be performed. So you can't really separate the creation of genius from the appreciation of it.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
If Mozart were around now he would write a killer rock song.
I was in the playground, like, 'Let's imitate the Spice Girls and form a girl group!' I would go home and sing into my hairbrush and act like Britney Spears. I was no Mozart.
James Gandolfini was a genius. Anyone who saw him even in the smallest of his performances knows that. He is one of the greatest actors of this or any time... A great deal of that genius resided in those sad eyes. I remember telling him many times, 'You don't get it. You're like Mozart.'
When I hear music I want to engage in it. Even if I engage in it very quickly and turn it off in my mind. If I'm in an elevator, clearly I don't want to be dealing with that, even if it's Mozart. In fact, especially if it's Mozart. I don't think Mozart belongs in an elevator.
I play the piano and have been playing since I was 7, mainly classical Chopin, Beethoven, Mozart.
The revolutionary Mozart is the Mozart of his last eight years.
My grandmother got me recordings of the 'Goldberg Variations,' in addition to the 'Brandenburg Concertos,' the Mozart string quartets and Beethoven's 'Seventh Symphony.'
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