A Quote by Robert Sheckley

The British audience was very important to me. I have always looked away from American to non-American audiences and so this was important. — © Robert Sheckley
The British audience was very important to me. I have always looked away from American to non-American audiences and so this was important.
A British director directed 'American Beauty,' an important film about American life, and it didn't matter. What only mattered was everyone's sensibility.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
Muslims naturally saw Christendom as their arch rival. One point that is really important to bear in mind, particularly in addressing an American audience, and that is that the Islamic world has a very strong sense of history. In the Muslim world, history is important and their knowledge of history is not always accurate but is very detailed. There is a strong historical sense in the Muslim world, a feeling for the history of Islam from the time of the Prophet until the present day.
That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
It's important for American soldiers to be culturally sensitive when deployed in foreign countries. But it's just as important for the U.S. never to renounce the most fundamental American values, which, after all, are also universal values.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.
My grandmothers are Irish-American and German-American; my grandfather is from the Caribbean. My father is African-American. My family looked funny. I just started naturally imitating whoever I was talking to. I didn't want to be a phony, but I felt very authentic in the moment.
American audiences tend to be more expressive than British ones.
Russia is very important, Iran is very important, Hezbollah is very important. All of them are important. Each one made important achievements against the terrorists in Syria, so it's difficult to say who is more important than the other.
I feel that its important for me to be out there and to represent the face. At the same time, for me as an individual, I think the Asian-American face can be crowded with the American identity.
Horsemanship and the cowboy lifestyle and my culture as a Native American are all three things that are very, very important to me.
I am honored to have Ajamu Baraka as a running mate. I think he brings enormous credibility in the disenfranchised communities, not just African American but Latino, Asian American and Native American. He is a recognized advocate for racial justice, economic justice and human rights, and I think this conversation is only just begun. It is very important.
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
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