A Quote by Robert Sheckley

A novel is often a longer process in handling self-doubt. — © Robert Sheckley
A novel is often a longer process in handling self-doubt.
I do want to say the process of writing a novel is riddled with self-doubt and self-loathing.
I have more self-doubt than any writer I've ever known.... The positive aspect of self-doubt - if you can channel it into useful activity instead of being paralyzed by it - is that by the time you reach the end of a novel, you know precisely why you made every decision in the narrative, the multiple purposes of every metaphor and image.
The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
Doubt is most often the source of our powerlessness. To doubt is to be faithless, to be without hope or belief. When we doubt, our self-talk sounds like this: 'I don't think I can. I don't think I will.'... To doubt is to have faith in the worst possible outcome. It is to believe in the perverseness of the universe, that even if I do well, something I don't know about will get in the way, sabotage me, or get me in the end.
The true self seeks release, not constraint. It doesnt want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
Self-knowledge is not the knowledge of a dead self, self-knowledge is the knowledge of the process of the self. It is an alive phenomenon. The self is not a thing, it is an event, it is a process. Never think in terms of things, the self is not there inside you just like a thing waiting in your room. The self is a process: changing, moving, arriving at new altitudes, moving into new planes, going deeper into new depths. Each moment much work is going on and the only way to encounter this self is to encounter it in relationship.
I'm not a perfectionist by a long shot, but self-doubt is a large part of my creative process.
It's always a long process of trying to suppress the self-doubt on set when you're acting.
However you arrive at the ability to ignore self-doubt - if you can acquire it or possess it or find it or discover it - move beyond self-doubt.
I'm often prone to self-doubt about everything I do.
I'm always nervous. A classy comedian is full of self-doubt disguised with an air of false confidence. If there isn't self-doubt, you seem aggressive.
There are always differences when you adapt a novel to a film. A novel is longer so you're automatically cutting out elements and introspection but this is actually a film that stays very close to the novel.
We can use doubt to self analyze. A measure of doubt can help us to attain self-honesty. But, like too much water, too much doubt will also destroy us.
The process of self-healing is the privilege of every being. Self-healing is not a miracle, nor is self-healing a dramatization of the personality as though you could do something superior. Self-healing is a genuine process of the relationship between the physical and the infinite power of the soul.
The whole body-mind thing comes into play, when you are feeling that self-doubt and your body is not going to help you if you're not paying attention. Your body's going to go with the self-doubt and make you feel worse, so by making the adjustments - pulling your shoulders back, standing up straight, walking in a more sort of expansive way - all sorts of little things will help pull you out of that self-doubt.
The only virtue on which I pride myself is my self-doubt; when a writer loses her self-doubt, the time has come to lay aside her pen.
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