A Quote by Robert Sheckley

The absurdist stuff wasn't terribly popular at the time I was doing it. — © Robert Sheckley
The absurdist stuff wasn't terribly popular at the time I was doing it.
The absurdist is concerned with the search for meaning in the Universe. He believes this search to be meaningless--hence the disintegration of plot, character, and language in absurdist drama. Order is a falsehood that we, God, those who came before us, have imposed on a random universe. However, the absurdist is confronted with a curious paradox: though he believes the Universe to be meaningless, he cannot abandon the search for meaning--or he will die.
American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.
I think that the stuff I write for pop music is terribly, terribly cheesy.
The most successful stuff is sold to you as indispensable social information. The message in the music is, 'We are terribly, terribly slick and suave, and if you listen to us, you can probably get a leg up in society, too.'
We first got marijuana from an older drummer with another group in Liverpool. We didn't actually try it until after we'd been to Hamburg. I remember we smoked it in the band room in a gig in Southport and we all learnt to do the Twist that night, which was popular at the time. We were all seeing if we could do it. Everybody was saying, 'This stuff isn't doing anything.' It was like that old joke where a party is going on and two hippies are up floating on the ceiling, and one is saying to the other, 'This stuff doesn't work, man.'
I'm not a terribly popular person in life. I can handle that.
Suffering is a kind of ecstasy in a way. Having pain all the time makes me terribly, terribly grateful for every moment I've got.
My lasting impression of Truman Capote is that he was a terribly gentle, terribly sensitive, and terribly sad man.
I don't hear any of the popular stuff unless it's good 'cause I pay no attention to popular culture, at all.
Tonally, the stuff I want to do in VR will, of course, always have a comedic backbone and be a bit absurdist and colorful with really interesting and bizarre characters but supported by really strong gameplay mechanics.
I kind of got popular as a spoken word artist, and I ended up doing some ads and audio stuff for Nike and Sprite.
I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.
I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.
I love having ten times as much stuff to do as I can possibly find time to do. That way, I can pick the one-tenth that I want to do most. But if I only have enough to just occupy all my time, I'm stuck doing all of whatever stuff it happens to be.
As much as the banking system may not be terribly popular, it is an essential part of the economy.
My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
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