A Quote by Robert Sheehan
There are instances where, in my mid to late 20s, I very often found myself going for roles that they didn't want to cast me in, because I'd done good work, but in a producer's eyes, I wasn't high enough status. So I lost out.
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Professional motorcycle riders that are pretty young because it's a young man's sport. You're like out of your prime if you're in your mid to late 20s. Which is awful but a lot of guys still do ride into their late 20s. I rode. I just didn't do any of the jumps or races.
If you had asked me, did I have everything nailed down and wired about what I wanted to do, and was I following some real plan? No. In fact, by the time I was in my mid-20s or even late-20s, and I was still in the law firm, I really was starting to get a little nervous that I didn't know what I was going to do.
I have actually lost a couple of roles - film roles - because a director or producer thought I looked too much like George Costanza, and I could not get out of that box.
It's very personal to me and doesn't work for everybody, but what I have found in my experience is that when I make pro and con lists, it's usually because I am trying to talk myself out of a good idea or talk myself into a really bad one.
Men in their teenage years and even into their mid to late 20s, they're just baboons. They're really not capable of taking account of other people's feelings, being considerate, being intimate. They are essentially high on this drug of testosterone and they have very little experience and intellect. And that's a terrible combination.
I just always want a new producer. I'm going to have a new producer on the next one. Because I'm the same person, and I feel like, I know I'm going to bring to it a certain sensibility that's me, and I want to have something different coming out on each album.
I was very bored at school. I found it very easy and slow and grey. My teachers didn't really know how to handle me, because I was very sarcastic. I was over-confident, arrogant, a typical youngest child. I went through periods of withdrawing into myself and school psychologists tried to figure me out, work out why I didn't fit in. I found that irritating, too.
Because I wake up late, my day is often short. I'm much more active in the evenings, during which I alternately read, write, needle-point, smoke, email, and despair over my decision last June to put my television and DVD player out on the street because I wasn't getting enough work done.
I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
I always thought I had a face like the moon, because I had really chubby cheeks when I was a kid, right up until my mid-20s. My face changed in my later 20s and again in my mid-30s.
It's very important to have a good relationship with the crew and cast because you want to get the best out of them. They'll work really hard for you if they like you.
I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
I quit it because at the end of seven years in an ensemble show with one leader, I thought: 'I will be known as 'Dallas' starring Larry Hagman and the cast.' And at this point in my career - I was in my mid to late 30s - I thought, 'Now is the time when it's hottest for me to go out and establish my thing.'
Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.
I'm a producer on my show, which is great, but it's also kind of a mixed blessing because there's so much responsibility. Everything is a decision. You have to worry about the money, you have to worry about daylight, who we're going to cast and if this location doesn't work out, what are we going to do?
I vividly remember being in my mid- to late-20s. That part of life is very emotional, and exciting, and dramatic in a way that your late 40s are not. That's different and dramatic in other ways, but I wanted to tap into that angry youth vibe in Kill Or Be Killed that I remember feeling at that time, instead of my angry middle-aged vibe that I've been churning out for a few years.
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