A Quote by Robert Sheehan

I never aspired to be in a band, but being onstage is a very cool feeling. It's like you're the lord of the room. It's hard to croon and run around doing big scissor kicks while also trying to play, though. I'm still mastering that.
I can't just play in a rock band. The National is a great, exciting band to play in. We improvise a lot onstage, and it's very intense, but after a while, I crave other kinds of experiences.
I'm doing a lot more cardio now. I want to be able to run and run and run and not get tired, you know, be able to play at a high level for all four quarters. I like to bike a lot and do some 300s here and there. Really, I love to bike though. I like being outside and moving around, seeing the good scenery around Miami and such.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
The way I grew up, I had hippie parents, and we would run around the garden with no shoes on, very close to nature. So I never wore little princess dresses. I still have this feeling whenever I wear a very formal dress; I always have this slight fear that people will point their fingers at me and laugh: 'Vicky is trying to look like a lady.'
I think it's very hard to find a big corner who can run and who also can play the ball very well.
I'm still a tomboy. I mean, I obviously dress it up slightly more, but when I'm just me, I'm still very casual. I love comfort. Comfort is very key to me because I spend most of my time in very uncomfortable things, so it's all about trainers and flats. On a shoot, if they're like, "Play around a bit," I'm going to be climbing on top of things and jumping off, and people are going to be trying to stop me, like, "You mucked this up," and, "You're going to hurt yourself," while I'm flying around in heels, just being crazy.
I draw and play the piano badly. But when I’m doing those things, I’m concentrating so hard there’s no room for worry. I find that onstage, too.
I draw and play the piano badly. But when I'm doing those things, I'm concentrating so hard there's no room for worry. I find that onstage, too.
I spent most of my 20s playing music. I was in a band and we worked really hard and did not get very far. I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky. That's never lost in me, that I went through Saturday Night Live.
You can't run away from your identity. Even if I went to another band, I'd still be Lips from the band Anvil. I've spent my entire life trying to be that, that's what I am. There's nowhere to run.
I'm still like a little kid about it, where I'm just so happy and excited that people want to come to our shows and watch us play. I still go outside the venues and take a picture of our name on the marquees. I still feel like I'm trying hard to be in a good band, I really do. And I think that's a healthy approach.
I like being out front, doing what I do, but then I also like playing in a band too. I'd like to do stuff like I did with Deee-lite. I went out and played with them and they were the stars, that was cool.
As a kid, I would do all of the plays at my school, and I was notorious for being in five numbers in one show. I'd go onstage, run backstage for a wardrobe change, and then go back out onstage. I'm always trying to do more than I should but when I got my lucky break (or whatever it's called), I was prepared because I studied and worked really hard for it.
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes back, and you hope that when you mix it you still have the feeling that you had when you were onstage, but it seems like it never quite works out that way!
I don't know who can really relate to being cool. Even people who you think are cool, they are trying to be cool. Nobody can understand the feeling of being cool, really.
I have my ideas, I have my music and I also just enjoy showing off, so that's a big part of it. Also, I like to get up onstage and behave insanely or express myself physically, and the band can get pretty silly.
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