A Quote by Robert Sikoryak
The characters have desperation and it doesn't work out for everyone. Maybe it's not fair because I'm responding to the adaptations that smooth out the edges.
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Fair isn't fair, Dean. Like I'm supposed to help you because fair is fair? Try I need you to help me so I wont rip out your spine and beat you with it. I might respond to that, maybe.
That was the funniest thing I'd heard in days. You're kidding, right? PLEASE tell me you have a stronger motive for me than 'fair is fair.' Life isn't FAIR, Dean....Nothing is fair, EVER. That's the stupidest thing I've ever heard. I need to help you because FAIR IS FAIR? Try, 'I need you to help me so I won't rip out your spine and beat you with it.' I MIGHT respond to that. MAYBE.
I work really out of mythology, so often I work out of a story that has remained lodged inside somehow, or I work out of history, you know, out of a sense of historical inevitability with characters.
I learned to pray out of desperation. For most of us, this is how the adventure usually begins. When we finally get serious about prayer, the trigger is usually desperation, not duty.... We don't pray because we ought, we pray because we are without any other recourse.
Success can make you go one of two ways. It can make you a prima donna - or it can smooth the edges, take away the insecurities, let the nice things come out.
When you write a song you're more or less saying, "This is everyone. I think this is everyone." It doesn't necessarily have to be this thing where I go out and I'm like candy-striping, or becoming a therapist or something. I think that maybe, maybe I'm supposed to [be a musician], because of that fact.
I try to be very honest in my writing. It's amazing, though, to think that people are responding to what we do, but it's okay if they're responding in a positive way too, because I think just creating anything at all to put out there is a gift.
Almost all the movies I've directed are adaptations. And I think what I found when I went to film school, where they try to push you to find your voice or your thing, is that I got a lot of things out of adaptations.
In actor's career, I had a fair amount of denial, which I think is possibly in the genes, where I just couldn't go to, "Maybe this won't work out." I just couldn't do it. My mind just refused to go there. I don't mean there weren't low periods. There were plenty. But I remember arriving in New York and I was maybe 32, and I didn't have an agent. I came from Chicago, where I had gone to school and worked and got my sea legs, so to speak, and I remember walking out of the subway, walking the streets, standing in front of the theater and saying, "I will work in this theater."
Anytime you step out of an embedded reporting situation, you're always making calculations about what's safe and what's not safe, feeling out the edges of your life, of what's possible, and what risks you're putting everyone else to.
We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
Habits are like the wrinkles on a man's brow; if you will smooth out the one, I will smooth out the other.
Like most comics, I tried to come up with a sitcom idea that was based around my life. And it didn't work out. But maybe because it didn't work out, that's why I ended up on 'Breaking Bad;' I don't know.
What you hear mostly people gripe about adaptations is, 'They took out this scene,' or, 'They had to condense these characters.' I understand why they have to do that. But if you had a favorite character, and now they've been melded together with another one, it's disappointing.
We've discovered that the earth isn't flat; that we won't fall off its edges, and our experience as a species has changed as a result. Maybe we'll soon find out that the self isn't "flat" either, and that death is as real and yet as deceptive as the horizon; that we don't fall out of life either.
Political correctness may make for smooth edges, but it does little for the imagination and nothing for the arts. Writers work best when they are exploring at the outer limits of what is traditional, acceptable, or conventional.
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