A Quote by Robert Silverberg

Three Rules for Literary Success: 1. Read a lot. 
 2. Write a lot. 3. Read a lot more, write a lot more. — © Robert Silverberg
Three Rules for Literary Success: 1. Read a lot. 2. Write a lot. 3. Read a lot more, write a lot more.
At the end of the day, I'm just trying to write a song that I like, that I'm not afraid to turn loose on the world. I do read a lot. I know a lot of people who read more, but I do try to keep a book in my hand most of the time, and I think that informs any kind of output that I'm going to have.
Read a lot. Read broadly... Tell stories to your friends, and pay attention to when they get bored... Write a lot.
I tell beginning readers to read a lot and write a lot. If you want to write a book, find a subject that's really worth the time and effort you'll put in.
Under the Dodd-Frank law, the SEC got the lion's share of the rules to write, more than 100 rules, and we have done an extraordinary amount of that. Eighty percent have been either proposed or adopted. So, a lot, a lot accomplished but of course, more to do.
There are three things you need to be a good writer: you need to read a lot, you need to write a lot, and you need a lot of feedback.
I mean, what would I be doing if I couldn't write? But that fortunately hasn't proved to be the case and I can read any day. I still read a lot, and I can write any day, but much more slowly and fewer words.
History is ultimately storytelling. I think the more stories you write in life - and I've written a lot of screenplays, a lot of short stories - you realize it's your interpretation of events that people read, and they absorb that.
You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that's just the way it is. It's like learning an instrument, you've got to be prepared for hitting wrong notes occasionally, or quite a lot, cause I wrote an awful lot before I wrote anything I was really happy with. And read a lot. Reading really helps. Read anything you can get your hands on.
I read a lot, I write a lot, and I have conversations with people I think are intelligent and wise.
I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.
Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.
I read a lot of autobiographical stories, and I write plays and prose. And I play piano and cello. A lot of my downtime is devoted to that.
Read a lot, write a lot is the great commandment.
And I think that being able to make people laugh and write a book that's funny makes the information go down a lot easier and it makes it a lot more fun to read, easier to understand, and often stronger. So there's all kinds of advantages to it.
Read a lot. Write a lot. Have fun.
I'm a novelist who read a lot as a kid. When you grow up on books and then grow up to write books, famous authors are a lot more meaningful to you than TV and movie stars.
This site uses cookies to ensure you get the best experience. More info...
Got it!