A Quote by Robert Smith Surtees
There is no secret closer than what passes between a man and his horse
Related Quotes
There is no secret so close as that between a rider and his horse.
If idioms are more to be born than to be selected, then the things of life and human nature that a man has grown up with--(not that one man's experience is better than another's, but that it is 'his.')--may give him something better in his substance and manner than an over-long period of superimposed idiomatic education which quite likely doesn't fit his constitution. My father used to say, 'If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven'
One might compare the relation of the ego to the id with that between a rider and his horse. The horse provides the locomotor energy, and the rider has the prerogative of determining the goal and of guiding the movements of his powerful mount towards it. But all too often in the relations between the ego and the id we find a picture of the less ideal situation in which the rider is obliged to guide his horse in the direction in which it itself wants to go.
American Pharoah loved human contact. He was a very sweet horse and is still very sweet. He loves people, will put his head in your lap. I'm probably closer to that horse because of his temperament.
The ties of virtue ought to be closer than the ties of blood, since the good man is closer to another good man by their similarity of morals than the son is to his father by their similarity of face.
No one ever gets too big to make mistakes. The secret is that the big man is greater than his mistakes, because he rises right out of them and passes beyond them.
To anyone else, Xavier's use of the word angel would have sounded like nothing more than a lovesick teenager professing his admiration. Only the two of us knew differently and now we both shared a secret- that brought us closer than ever. It was as if we had just sealed the bond between us, closed the gap, and made it final.
There is a story in Zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man standing alongside the road, shouts, «Where are you going?» and the first man replies, «I don't know! Ask the horse!» This is also our story. We are riding a horse, and we don't know where we are going and we can't stop. The horse is our habit energy pulling us along, and we are powerless.
The helicopter is probably the most versatile instrument ever invented by man. It approaches closer than any other to fulfillment of mankind's ancient dreams of the flying horse and the magic carpet.
The (capital punishment) controversy passes the anarch by. For him, the linking of death and punishment is absurd. In this respect, he is closer to the wrongdoer than to the judge, for the high-ranking culprit who is condemned to death is not prepared to acknowledge his sentence as atonement; rather, he sees his guilt in his own inadequacy. Thus, he recognizes himself not as a moral but as a tragic person.
The horse respects and obeys man because its large eyes magnify everything, so man appears much larger than the horse itself.
What I do know about physics is that to a man standing on the shore, time passes quicker than to a man on a boat - especially if the man on the boat is with his wife.
I like my boy with his endless sweet soliloquies and iterations and his utter inability to conceive why I should not leave all my nonsense, business, and writing and come to tie up his toy horse, as if there was or could be any end to nature beyond his horse. And he is wiser than we when [he] threatens his whole threat "I will not love you."
The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.
What Plato was really asking was perhaps why a horse was a horse, and not, for example, a cross between a horse and a pig.
Emulation, even in brutes, is sensitively "nervous." See the tremor of the thoroughbred racer before he starts. The dray-horse does not tremble, but he does not emulate. It is not his work to run a race. Says Marcus Antoninus, "It is all one to a stone whether it be thrown upward or downward." Yet the emulation of a man of genius is seldom with his contemporaries, that is, inwardly in his mind, although outwardly in his act it would seem so. The competitors with whom his secret ambition seems to vie are the dead.
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