A Quote by Robert Smithson

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy — © Robert Smithson
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.
The kind of painting which I find exciting is not necessarily representational or non-representational, but it is musical and architectural... Whether this visual relationship is slightly more or slightly less abstract is, for me, beside the point.
Representational painters: loosen the grip of inflexibility! Abstract painters: tighten your hold on crafting your images! In both types of painting students need to unlearn what one has acquired.
Let's talk about the artist's desire to go beyond the pictorial or the representational and the desire to create the abstract - the idea that painting can go beyond what is seen. What we found is that, increasingly, painting became about paint, its own material truth. When I'm talking about the way that we look at others and the way that we see ourselves increasingly, looking at others becomes its own material truth.
The key to the future in an aging society is not found in increasing just our life span; we need to increase our health span at the same time.
A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant.
I firmly believe that a representational painting is only as strong as its abstract components.
I have not long to live. I have lasted more than a man's average allotted span, and while I still am hale and hearty, I know full well the hand of time , while it may miss a man at one reaping, will get him at the next.
Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.
For me, the canvas is an abstract interpretation of a wall. It's a piece of art with its own history, one that alludes to the passage of time and to the theater of life.
It may come as a surprise but I also really started to get into history while I was at school. I found the projects about World War Two fascinating - perhaps when I get the time again, I could pick up where I left off.
While massive datasets may feel very abstract, they are intricately linked to physical place and human culture. And places, like people, have their own individual character and grain.
Life creeps slowly upward.... When some forgotten inventor of the older world smote his rival or enemy with a branch of wood and found that it was good and thereafter made a practice of smiting rivals and enemies with branches of wood, then, and on that day, artificiality may be said to have begun. Then, and on that day, was begun a revolution destined to change the history of life. Then, and on that day, was laid the cornerstone of that most tremendous of artifices, CIVILIZATION!
If things are too similar, the dialogue is not very interesting. If you put in contrast, big and small, abstract and representational, you set up the possibility of a discourse.
But we may want to keep in mind that deeds and words are not as distinguishable as often we presume. History does not belong only to its narrators, professional or amateur. While some of us debate what history is or was, others take it into their own hands.
Only a great man, believe me, and one whose excellence rises far above human failings, will not allow anything to be stolen from his own span of time, and his life is very long precisely because he has devoted to himself entirely any time that became available. None of it lay uncultivated and idle, none was under another man's control, for guarding it most jealously, he found nothing worth exchanging for his own precious time.
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