A Quote by Robert Smithson
Mistakes and dead-ends often mean more to these artists than any proven problem
Related Quotes
Mistakes and dead-ends often mean more to these artists than any proven problem.
I've proven I'm courageous. I'm gutsier than anybody; I've got a better imagination than anybody; I'm essentially more creative than any other actor I know, and I've proven I take risks. I don't think I need to prove anything to myself any more.
I learned the tricks... If you want to do academic things, you can do them. It is not difficult. Yet it is from this difficulty - the mistakes and dead ends - that artists develop, not through the quick solutions and not from something you learn and apply.
Be proud of your mistakes. Well, proud may not be exactly the right word, but respect them, treasure them, be kind to them, learn from them. And, more than that, and more important than that, make them. Make mistakes. Make great mistakes, make wonderful mistakes, make glorious mistakes. Better to make a hundred mistakes than to stare at a blank piece of paper too scared to do anything wrong.
Capitalism has proven to be the only system that works, but the problem with capitalism is that extreme wealth ends up in the hands of a few people.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
Being lean doesn't make you any more worthy, any more beautiful or any more valuable. It doesn't make you a more fit person, it doesn't mean you've worked harder in the gym, people who are leaner than you aren't better than you.
But there is a process that happens when you're making something, be it a musical or a new play. That process takes time, and mistakes will be made along the way, and you will go down and hit dead ends. But it is so public now. Any yahoo with a computer can start a firestorm.
In Spain, the dead are more alive than the dead of any other country in the world.
One reason people who spend a lot of time thinking about and working on a problem or a craft seem to find breakthroughs more often than everyone else is that they've failed more often than everyone else.
Objects exist and if one pays more attention to them than to people, it is precisely because they exist more than the people. Dead objects are still alive. Living people are often already dead.
For complex reasons, our culture allows "economy" to mean only "money economy." It equates success and even goodness with monetary profit because it lacks any other standard of measurement. I am no economist, but I venture to suggest that one of the laws of such an economy is that a farmer is worth more dead than alive. A second law is that anything diseased is more profitable than anything that is healthy. What is wrong with us contributes more to the "gross national product" than what is right with us.
It has been proven that more Americans watch television than any other appliance.
Goth is dead, punk is dead, and rock n' roll is dead. Trends are dead. Nothing exists anymore because the world is spinning faster than any trend.
The French, perhaps more than any other nation, cherish the memory of their dead by ornamenting their places of sepulture with the finest flowers, often renewing the garlands and replacing such plants as decay with vigorous and costly ones.
Never crowd youngsters about their private affairs - sex especially. When they are growing up, they are nerve ends all over, and resent (quite properly) any invasion of their privacy. Oh, sure, they'll make mistakes - but that's their business, not yours. (You made your own mistakes, did you not?)
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