A Quote by Robert Smithson

An emotion is suggested and demolished in one glance by certain words. — © Robert Smithson
An emotion is suggested and demolished in one glance by certain words.
Clive [Davis] tried to tell me that saying certain words in a song - or as he says, 'putting some balls into it' - isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did.
You call that evening the odds? You demolished them." Demolished. He liked that. "I left you one." "I noticed." "I promised to share," he told her. "Manners are very important in the Weird. Lying would be quite impolite.
When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.
An emotion occurs when there are certain biological, certain experiential, and certain cognitive states which all occur simultaneously.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.
I've done a lot of action movies, and there has to be a certain amount of emotion in the actual performing of the stunt. It doesn't have to be any particular emotion, but there has to be some life to it, and that's not so easy.
I have this theory that the more important and intimate the emotion, the fewer words are required to express it. For instance in dating: 'Will you go out with me?' Six words. 'I really care for you.' Five words. 'You matter to me' Four words. 'I love you.' Three words. 'Marry me.' Two words. Well, what's left? What's the one most important and intimate word you can ever say to somebody? 'Goodbye...'
Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.
This was not the old Chichikov. This was some wreckage of the old Chichikov. The inner state of his soul might be compared to a demolished building, which has been demolished so that from it a new one could be built; but the new one has not been started yet, because the infinitive plan has not yet come from the architect and the workers are left in perplexity.
Expressing emotion is not so easy. He has to remind himself that English is not her first language. Expressing emotion can be difficult even when the words are familiar.
He was a man who wrote, who interpreted the world. Wisdom grew out of being handed just the smallest sliver of emotion. A glance could lead to paragraphs of theory.
Rich men are resolved to be astonished at nothing. When they see a masterpiece, they must needs at one glance recognize some flaw to dispense them from admiration, a vulgar emotion.
When a certain number of people come together and they choose at a moment in time to create a precise emotion in their hearts, that emotion literally can intentionally influence the very fields that sustain the life on planet earth.
I love my daughter, but there's a certain feeling, a certain emotion when you got a granddaughter, you know?
I have always taken care to put an idea or emotion behind my words. I have made it a habit to be suspicious of the mere music of words.
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