A Quote by Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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Men who scorn the idea of submission to the divine Will and are outraged by the notion of a God who requires submission are among the first to demand total submission to the process in which we are involved and seem to attach a kind of moral imperative to willing participation in it. Any other attitude, so they say, is reactionary or escapist or anti-social. Perhaps, after all, they have found a divinity to worship; and, if they have, the only charitable comment must be: God help them!
O dark dark dark. They all go into the dark, The vacant interstellar spaces, the vacant into the vacant
Why is it that the less intelligence people have, the more spiritual they are? They seem to fill all the vacant, ignorant spaces in their heads with soul. Which explains how it is that the less knowledge they have, the more religion.
Whatever art offered the men and women of previous eras, what it offers our own, it seems to me, is space - a certain breathing room for the spirit. The town I grew up in had many vacant lots; when I go back now, the vacant lots are gone. They were a luxury, just as tigers and rhinoceri, in the crowded world that is making, are luxuries. Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
There's so much art and it's gotten so flashy. In the global marketplace, having art that's shiny and has neon lights is almost what you need for anyone to notice it in an art fair situation - and art fairs seem to be more and more the only thing there is.
I think art world will have consolidated, I think it will slow down a little bit. I think it will be less white and Western, which it is still at the moment. There will be more female artists in the mix. I think we'll see art forms explored through different media - the Internet, television, books, even. We'll see art produced in forms and media that we haven't seen yet.
The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process to product, and lacks individuality and openness. It's not that art should be seen only in rutty bombed-out environments, but it should seem alive.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
I just like to be in the now. And kind of reporting on what it is that I see, feel and that's really reflective of the times that I'm in, we're in and I think with the latest works, it's still evident that we're going through a lot of the same things.
One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings.
Any time I claimed to be white, that would be unacceptable. It just doesn't make sense in people's minds. If I'm white, how can I walk through a department store and still have people scared that I'm going to rob them? Which, that can still happen.
There are still many large white spaces on the map of human knowledge. You can go discover them. So do it. Get out there and fill in the blank spaces. Every single moment is a possibility to go to these new places and explore them.
Black and white is so familiar. It's how we see the printed word in books, so it's kind of neutral in a way. Yet it's ironic that black and white is so charged socially, what with its association with race.
I always love depth. I like looking through windows, through frames, through spaces into other spaces.
When people talked about O.J. Simpson being race-neutral, that was a race card. It just meant we don't think of him as black. But race-neutral is just like flesh-tone Band-aids. It's not neutral; it's white.
Lights of ships moved in the fairway-a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.
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