A Quote by Robert Stack

I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself. — © Robert Stack
I don't mind UFO's and ghost stories, it's just that I tend to give value to the storyteller rather than to the story itself.
Rather than a horror film, a ghost story is different because a ghost is what you can't quite see.
One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'
Old stories have a habit of being told and retold and changed. Each subsequent storyteller puts his or her mark upon it. Whatever truth the story once had is buried in bias and embellishment. The reasons do not matter as much as the story itself.
I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller.
Today's ghost stories tend to be much more physically or psychologically violent. The Victorians were much more leisurely about what might or could happen, building suspense layer by layer rather than punching you in the face.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
Christlike communications are expressed in tones of love rather than loudness. They are intended to be helpful rather than hurtful. They tend to bind us together rather than to drive us apart. They tend to build rather than to belittle.
Publishing a short story can sometimes feel like shouting into the dark... your words come out, and then nothing... but I don't think that's why I tend to write novels rather than stories.
Trust the story ... the storyteller may dissemble and deceive, the story can't: the story can only ever be itself.
When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
This is a story about a family and, as there is a ghost involved, you might cal it a ghost story. But every family is a ghost story. The dead sit at out tables long after they have gone.
For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
I build my stories character-first, and so whether it's a monster or a ghost or a serial killer, the fear of something dark interrupting life has just always been something that matters to me as a storyteller, or what I keep finding myself drawn back to.
What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
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