A Quote by Robert Stone
What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.
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He loves me, and I reward his love by forcing on him something he hates. In the evening, after we dance, he rarely returns to the throne; he dances with others or moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always to the empty spot and the court always moves after him. He is like a dog trying to escape his own tail. He indulged himself in one brief moment of privacy, and almost died of it. Relius, he hates being king.
Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows. “Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest. “I dunno. Impress girls?” Nine looks over at me. “Did it work?” “Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.” “Tough crowd.
Every baby moves with more ease and efficiency if allowed to do it at his own time and in his own way, without our trying to teach him. A child who has always been allowed to move freely develops not only an agile body but also good judgment about what he can and cannot do.
The main thing I try to do is write as clearly as I can. Because I have the greatest respect for the reader, and if he's going to the trouble of reading what I've written -- I'm a slow reader myself and I guess most people are -- why, the least I can do is make it as easy as possible for him to find out what I'm trying to say, trying to get at. I rewrite a good deal to make it clear.
Three explanations dominate speculation about what Obama is up to. The first is that he's trying to lay the groundwork for his successor, presumptive nominee Hillary Clinton. The second is that he's trying to pad his legacy. The third is that he's trying to 'troll' or bait the GOP into debating his agenda rather than pursuing its own. All are plausible, and none necessarily contradicts the others.
I am trying to beat the guy sitting across from me and trying to choose the moves that are most unpleasant for him and his style.
I'm so focused on trying to craft the story that I'm in my own little world with it and that process. The one reader I'm trying to please as I write is me, and I'm pretty difficult to please.
Alas, why will a man spend months trying to hand over his liberty to a woman--and the rest of his life trying to get it back again?
I was never trying to write a hit. I was just trying to write good songs and get a message out, and it was my great good fortune to be popular.
Now, you integration-minded Negroes are trying to force yourselves on your former slave master, trying to make him accept you in his drawing room; you want to hang out with his women rather than the women of your own kind.
As long as one does not call his own position into question but regards it as absolute, while interpreting his opponents' ideas as a mere function of the social positions they occupy, the decisive step forward has not yet been taken.
There's a contract that I make between myself, the author, and the reader. I have to figure out how to give the reader certain powers of recognition, or his own knowledge, his own feelings, but I provide them, so we're working together.
Avoid openly trying to reform people. Every man knows he is imperfect, but he doesn't want someone else trying to correct his faults. If you want to improve a person, help him embrace a higher working goal-a standard, an ideal-and he will do his own 'making over' far more effectively than you can do it for him.
I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.
[W]hen you're shooting a doc, you're trying to class it up because you can. You know, you're trying to make this feel like cinematic experience. And when you're doing fiction you're trying to do the opposite thing you're trying to take this very artificial experience this very artificial experience and make it feel real and visceral.
We expect him to take up a lot of space in his gangly experiments with life, and we teach him, through task, work, game, activity, and experience how to use that space. Above all, we give him mentoring and supervision that respects and teaches his gifts, his visions, even his shadowy inner demons
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