A Quote by Robert Tannahill

Now the summer's in prime Wi' the flowers richly blooming, And the wild mountain thyme A' the moorlands perfuming. To own dear native scenes Let us journey together, Where glad innocence reigns 'Mang the braes o' Balquhither.
Now summer is in flower and natures hum Is never silent round her sultry bloom Insects as small as dust are never done Wi' glittering dance and reeling in the sun And green wood fly and blossom haunting bee Are never weary of their melody Round field hedge now flowers in full glory twine Large bindweed bells wild hop and streakd woodbine That lift athirst their slender throated flowers Agape for dew falls and for honey showers These round each bush in sweet disorder run And spread their wild hues to the sultry sun.
We will enjoy ourselves with the forms that are given us: a human face, a hand, the breast of a woman or the body of a man, a glad or sorrowful expression, the infinite seas, the wild rocks, the melancholy language of the black trees in the snow, the wild strength of spring flowers and the heavy lethargy of a hot summer day when Pan, our old friend, sleeps and the ghosts of midday whisper. This alone is enough to make us forget the grief of the world, or to give it form.
Here's flowers for you; Hot lavender, mints, savoury, marjoram; The marigold, that goes to bed wi' the sun And with him rises weeping: these are flowers Of middle summer, and I think they are given To men of middle age.
the feet should have more of the acquaintance of earth, and know more of flowers, freshness, cool brooks, wild thyme, and salt sand than does anything else about us. ... It is only the entirely unshod that have lively feet.
Cold Mountain Buddhas Han Shan Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness be dancing. Whisper of running streams, and winter lightning. The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
I always try to be ironistic in everything I do. I love people who understand humor and who live through humor. So, of course, I was not too serious covering such things as Motörhead or "Black Magic Woman" by Santana. But I was serious enough about Led Zeppelin and the Celtic song "Wild Mountain Thyme." In my life, serious and humor are always together.
The bees pillage the flowers here and there but they make honey of them which is all their own; it is no longer thyme or marjolaine: so the pieces borrowed from others he will transform and mix up into a work all his own.
Why are we now going into space? Well, why did we trouble to look past the next mountain? Our prime obligation to ourselves is to make the unknown known. We are on a journey to keep an appointment with whatever we are.
I was drawn to the story of Myeol-mang and Dong-kyeong. I wanted to understand and sympathize with the character Myeol-mang, whose being is the reason for all the destruction.
And there you are on the shore, fitful and thoughtful, trying to attach them to an idea — some news of your own life. But the lilies are slippery and wild—they are devoid of meaning, they are simply doing, from the deepest spurs of their being, what they are impelled to do every summer. And so, dear sorrow, are you.
In the other gardens And all up the vale, From the autumn bonfies See the smoke trail! Pleasant summer over And all the summer flowers, The red fire blazes, the grey smoke towers. Sing a song of seasons! Something bright in all, Flowers in the summer Fires in the fall!
I am left alone in the wide world. My own dear family I have buried: one in Rangoon, and two in Amherst. What remains for me but to hold myself in readiness to follow the dear departed to that blessed world, 'Where my best friends, my kindred dwell, where God, my Saviour, reigns.'
nature has not changed. The night is still unsullied, the stars still twinkle, and the wild thyme smells as sweetly now as it did then ... We may be afflicted and unhappy, but no one can take from us the sweet delight which is nature's gift to those who love her and her poetry.
I've seen the Rhine with younger wave, O'er every obstacle to rave. I see the Rhine in his native wild Is still a mighty mountain child.
Now Simmer blinks on flowery braes, And o'er the chrystal streamlets plays; Come let us spend the lightsome days In the birks of Aberfeldy.
The innocence of those who grind the faces of the poor, but refrain from pinching the bottoms of their neighbour's wives! The innocence of Ford, the innocence of Rockefeller! The nineteenth century was the Age of Innocence--that sort of innocence. With the result that we're now almost ready to say that a man is seldom more innocently employed than when making love.
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