A Quote by Robert Thurman

If you see really bright lights, or hear really loud noises, go towards them, don't run away from anything. It's like giving someone instructions on how to handle a bear, don't run away from it. Stand up and try to make yourself look as big as possible. Don't give it the signal that it should chase you. And that's the case with the after death visions. Don't go for dark seductive lights, go only for bright lights.
Some people must go to extremes to get the world in balance for themselves. Some can't bear bright lights, so wherever they go they search for the dark; they turn the lights down, anything to sustain some level of comfort.
Songwriting is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed to sleep. It's always in the middle of the night, or you're half-awake or tired, when your critical faculties are switched off. So letting go is what the whole game is. Every time you try to put your finger on it, it slips away. You turn on the lights and the cockroaches run away. You can never grasp them...
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
It's a really strange thing to be doing, to go on stage and all of a sudden have bright lights and spotlights.
When somebody comes up with a progressive idea, to begin with, you're mad, bonkers. Then if you go on, you're dangerous. Then there's a pause. Then you can't find anyone who can say they thought of it in the first place. That's how progress is made. This is why I do believe in the vote. In the end, all these people who've been tempted to the right realise the warning lights in their constituency are brighter than the bright lights from No. 10 offering them things.
You cannot see the Milky Way in New York City any more ... We risk the loss of our sensual perception. And if you lose those, naturally, you try to compensate by other stimulations, by very loud noises, or by bright lights or drugs.
There's not always bright lights. Sometimes you have to go through dark tunnels to be able to get to the success.
Some beings will walk with you for the duration of this bodily existence, up to the very end. Some will come with bright promises, bright lights, but they fade quickly. Others come, they don’t look like they will go very far, but they are marathon runners; they’re there with you all the time. You cannot determine this... Somehow in the flow of your own unique river, you will see that everything is as it should be.
We must build our faith not on fading lights but on the Light that never fails. When 'important' individuals go away we are sad, until we see that they are meant to go, so that only one thing is left for us to do--to look into the face of God for ourselves.
Generally speaking, rural drivers are a much better behaved species than city drivers. I'm not sure whether they're intrinsically this way, or there are just fewer opportunities for them to do behave badly. You can't go around running red lights if there aren't any red lights to run.
I go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".
Ana Iris once asked me if I loved him and I told her about the lights in my old home in the capital, how they flickered and you never knew if they would go out or not. You put down your things and you waited and couldn't do anything really until the lights decided. This, I told her, is how I feel.
These lights, this brightness, these clusters of human hope, of wild desire—I shall take these lights in my fingers. I shall make them bright, and whether they shine or not, it is in these fingers that they shall succeed or fail.
When you go into the theatre and the lights dim, you want to entertain people from beginning to end. You want them to be swept up in your story, on the edge of their seats, unable to wait to see what happens next, be blown away and afterwards just go, 'Wow!'
It is easy to make a simple machine which will run toward the light or run away from it, and if such machines also contain lights of their own, a number of them together will show complicated forms of social behavior.
I have made hundreds of dives in submersibles, with each dive holding the promise of seeing an organism or a behavior that no one has ever seen before. But I have always wondered about the animals and behaviors that we're not seeing because our bright lights and loud thrusters scare them away.
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