A Quote by Robert Trujillo

'Some Kind of Monster' is a challenge, and 'Through the Never' is an extension of that. Even the album we made with Lou Reed, it was a challenge. — © Robert Trujillo
'Some Kind of Monster' is a challenge, and 'Through the Never' is an extension of that. Even the album we made with Lou Reed, it was a challenge.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.
I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?
I don't really worship the album 'Transformer.' It's not the best thing that Lou Reed has done.
Signing to a major label was an experiment for us. It was a challenge: working in a big studio with a producer was a challenge in a lot of ways. It all shaped what the band went on to become through the '90s. After we made 'Goo,' we went out and toured with Neil Young in ice hockey arenas for three months, and that was the same kind of thing.
I try to challenge the players. If they have reached a standard I challenge them to grow even more because you never know.
Playing is no challenge; every time that you get a role you get to go play with other people in the sandbox and so there is no challenge, real challenge. The challenge, the major challenge is getting the work, finding the sandbox.
I don't have to do much. What I was surprised at and the challenge was that dealing with an ensemble cast who are in scenes together everyday all day, that is a challenge. It's a challenge to make sure everyone get as much coverage and attention, it got just kind of competitive. I loved it because it made it funnier, but the improv went nuts. People were like, "Oh wait. I have something better to say." "Now, I'm going to say..."
'Pitchfork' said something like, 'Michael Imperioli wrote a book that sounds like Lou Reed fan fiction,' which maybe it is. It's fiction, and I'm a fan. But it's not about me, and it's not a Lou Reed book.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
The challenge of 'Drag Race' is always the appearance and the challenge. It's never just the challenge. It's always the combination.
I love talking about the challenges [Newark, NJ] has because of the way they are always brilliantly disguised as opportunities.. .the biggest global challenge that there is is a challenge of the spirit, a challenge of our vision, a challenge and a test of our ideals, of who we SAY we are GOING TO BE.
In the same way that slavery was a moral challenge for the 19th century and totalitarianism was a challenge for the 20th century, the challenge that women and girls face around the world is the moral challenge of our time.
When I was 13, Lou Reed and the Velvet Underground made more sense to me than anything else.
For the warrior, every moment is a challenge to be genuine, and each challenge is delightful. When you let go properly, you can relax and enjoy the challenge.
Being here in the United States, English is not my first language. It's kind of a challenge for me, a big challenge for my family.
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