They had bombed London, whether on purpose or not, and the British people and London especially should know that we could hit back. It would be good for the morale of us all.
I just like the lineage and the heritage and the fact that British dance music is still progressing. I'm from London; I love London, and I wouldn't know how else to show that love in musical terms. There's something about British stuff that's a bit faster, a bit harder-hitting. Just tough.
I had the impression from reading English literature that British women were great beauties, and I only had seen Julie Christie, and she was gorgeous and sexy. I don't know whether it was just my taste, but when I got to London, I went two years without seeing a truly attractive woman. A lot of near misses.
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
It came as a great shock to me when I heard that England and Soviet Russia had become allies. So much so that I thought that the people responsible in London were acting in a manner that no longer coincided with British imperial interests.
But to me, Broadway has always had more a 'village' feeling than London's West End. The theaters here are clustered together, the staff and many people in the business know each other - it's like a little village all to itself, whereas in London everything is more spread out.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
British people are surprised that I'm British! It's extraordinary, I get tweets every day from British people saying, 'I had no idea you were British.'
The British people are extremely conventional. You don't always know what one is thinking or feeling because it is basically hidden. The British people basically let you see what they want you to see.
I think that it was a great feeling and probably a little bit more special because of the length of time that had passed before we won, but I think more importantly, it was just a great feeling because this team had such strong leadership and they had great chemistry.
I think of myself as an Indian comedian, but I've had British and American schooling. I always had this feeling of not fitting in anywhere, of observing situations from the outside.
When I was a girl, the idea that the British Empire could ever end was absolutely inconceivable. And it just disappeared, like all the other empires. You know, when people talk about the British Empire, they always forget that all the European countries had empires.
I considered the attacks on London useless, and I told the Fuhrer again and again that inasmuch as I knew the English people as well as I did my own people, I could never force them to their knees by attacking London. We might be able to subdue the Dutch people by such measures but not the British.
One of the great things about making 'Reel History' was meeting British people from all over the class system. It made me realise that London is a different country.
I was lucky. I always had really great friends in my personal life, people always just knew who I was. It wasn't until I was in show business where that sort of changed or shifted at first. I have always had a great support network. I have had a lot of really wonderful, close friends.
'MaerskKendal' is a rarity with its British flag, the 'LONDON' home port painted on its bow, its two British chief officers, and its portrait of the queen in the mess room, apparently common courtesy on British ships, but a little alarming to me.