A Quote by Robert Venosa

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
Our present culture may be largely shaped by this strange idea of isolating children's thought from adult thought. Perhaps the way our culture educates its children better explains why most of us come out as dumb as they do, than it explains how some of us come out as smart as they do.
The branches of mathematics are as various as the sciences to which they belong, and each subject of physical enquiry has its appropriate mathematics. In every form of material manifestation, there is a corresponding form of human thought, so that the human mind is as wide in its range of thought as the physical universe in which it thinks.
Nature's purpose in relation to the visual arts is to provide stimulus not imitation. From its ceaseless urge to create springs all Life - all movement and rhythm - time and light, color and mood - in short, all reality in Form and Thought.
I've always thought of the book as a visual art form, and it should represent a single artistic idea, which it does if you write your own material.
Black and white is a very minimalist art form and unlike color photographs does not pretend to mimic the world in a manner similar to the way the human eye might perceive... Black and white is essentially an abstract way to interpret and transform what one might refer to as reality.
As a painter, I realized that what we see is just manifestation of unseen power. Since then [1958 Coup in Iraq], reality started to take another form in my mind. Hence, I was aware of deception of our senses.
The subconscious mind makes no distinction between constructive and destructive thought impulses. It works with the material we feed it, through our thought impulses. The subconscious mind will translate into reality a thought driven by fear, just as readily as it will translate into reality a thought driven by courage or faith.
Thought creates things by slicing up reality into small bits that it can easily grasp. Thus when you are think-ing you are thing-ing. Thought does not report things, it distorts reality to create things, and as Bergson noted, "In so doing it allows what is the very essence of the real to escape." Thus to the extent we actually imagine a world of discrete and separate things, conceptions have become perceptions, and we have in this manner populated our universe with nothing but ghosts.
All thoughts create thought-forms. When you think about anything, an electrical impulse is released. Its charge gathers into a form that appears clairvoyantly like a soap bubble. The thought-form creates, manifests, and attracts that which is similar to it.
Reality became for me a problem after my experience with LSD. Before, I had believed there was only one reality, the reality of everyday life. Just one true reality and the rest was imagination and was not real. But under the influence of LSD, I entered into realities which were as real and even more real than the one of everyday. And I thought about the nature of reality and I got some deeper insights.
Visual media is the dominant art form in our present day culture, whereas poetry is, at best, a proxy. Yet poetry and film are both "dream factories."
Those who tell you that man is unable to perceive a reality undistorted by his senses, mean that they are unwilling to perceive a reality undistorted by their feelings. "Things as they are" are things as perceived by your mind; divorce them from reason and they become "things as perceived by your wishes.
Who thought it would be a good idea to undermine art in the school curriculum? Who thought studying the history of our visual culture was a waste of time? Who thought that only private schools should have that privilege? Was it someone who said we don't need experts?
As soon as you raise a thought and begin to form an idea of it, you ruin the reality itself, because you then attach yourself to form.
The way I understand composition and form and my ability to enter into material all comes from my disciplines and my commitment as a painter - my energy, my arm, my eyes, my sense of space and form and time. It's a wonderful realm for me. I never leave it.
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