A Quote by Robert W. Welch, Jr.

And it was under Wilson that the first great propaganda slogan was coined and emblazoned everywhere, to make Americans start thinking favorably of democracies and forget that we had a republic.
When there is change, it must not alter the content of what propaganda is driving at, but in the end must always say the same thing. For instance, a slogan must be presented from different angles, but the end of all remarks must always and immutably be the slogan itself. Only in this way can the propaganda have a unified and complete effect.
I had the great opportunity to work with some of the greatest artists - the Beach Boys, the Temptations, the Four Tops. Otis Redding. Wilson Pickett. Stevie Wonder. So many great singers. And don't forget Clarence Carter!
In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
Trump's campaign slogan resonates strongly with a large population of Americans. 'Make America Great Again' portrays a nostalgia for what America once was, and a longing desire to return to that time. Millennials unfortunately don't know first-hand that time which Trump is talking about.
All of us are citizens in a republic much larger than the Republic of America. It is the Republic of Letters, a realm of the mind that extends everywhere, without police, national boundaries, or disciplinary frontiers.
When you look at a mayor, Americans see mayors favorably. We are at the front line of what Americans are dealing with every day.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
A game of great charm in the adoption of mathematical measurements to the timing of human movements, the exactitudes and adjustments of physical ability to hazardous chance. The speed of the legs, the dexterity of the body, the grace of the swing, the elusiveness of the slide - these are the features that make Americans everywhere forget the last syllable of a man's last name or the pigmentation of his skin.
The first theater subscription I ever bought was the August Wilson season at Signature. I remember thinking a whole season to one playwright was a great way for a master to do a victory lap.
Woodrow Wilson is reported to have told a Princeton colleague, shortly after the 1912 election, "It would be an irony of fate if my administration had to deal chiefly with foreign problems, for all my preparation has been in domestic matters." In the event, Wilson's early months were marked by substantial domestic legislative accomplishment. Unfortunately, after Europe plunged into the Great War in August 1914, Wilson's leadership was uncertain.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions.
We have to stop thinking about diversity and start thinking about inclusion. That's what you can take from August Wilson. That there are whole cultures out there living experiences exactly like yours, and their stories can be just as dynamic, sold in the foreign market, put as many butts in the seats as any Caucasian movie out there.
The United States has it's own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The United States has its own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
I realize there is a paucity of African-Americans in my position. Everywhere I go, people say, 'Don't mess this up. Don't forget about us.' You feel a tremendous responsibility, not to take the black side of things but to make sure that side gets heard, because if I don't do it, who's going to do it?
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