A Quote by Robert Wagner
I wish there was some way to get the law changed. They can write anything about you after you're deceased and there's nothing you can do about it.
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No novel has ever changed anything, as far as I can see. And the great satirists, like Swift and Dickens, tend to write about abuses and injustices that have already been partially corrected - you write about it after it's over.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
I don't hold onto anything, because it's a waste of energy to do so, really. There's nothing that I can do about the way people want to write about me. I just try and concentrate on my work and do that as well as I can.
In a way, there's nothing new under the sun, so anything you write about has been written about by other people. All you can do is bring yourself to it, bring as much honesty as you can to it.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
I think about Lenaya and Hugh. Will they know how much I've changed this year? Will they have changed too? I'll wait until tomorrow to find out. And then it's possible I won't find out after all. Because some changes happen deep down inside of you. And the truth is, only you know about them. Maybe that's the way it's supposed to be.
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way you want to.
Once the law, properly enacted, is routinely ignored, and ignored with the blessing and the promotion of the political class, then you have a breakdown of organized society. And there is nothing compassionate about what's happening to the people of Arizona. There is nothing compassionate about the violation of private property rights. There is nothing compassionate about the abuse of the taxpayer. There is nothing compassionate about the closing of schools and hospitals. Nothing at all compassionate about increased drug trafficking and crime. Nothing compassionate about that at all.
Characters have changed my mind about some very fundamental moral issues, and that's the real satisfaction in the way I write - the ultimate learning experience.
My greatest disappointment is that I believe that those of us who went through the war and tried to write about it, about their experience, became messengers. We have given the message, and nothing changed.
I'm sure I've changed my mind about something. Inevitably, when we grow up - as we get more experience and wiser. Well, I've changed my mind about some food that I didn't like when I was young.
I thought I was a pretty good writer, but I didn't have anything to write about. I wanted to go out in the world, have some adventures and then write about them.
To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.
The one concession I've made as I've gotten older is that my children are now adults and they're in their twenties and thirties and so I'm careful about how I write about them. I may write about them as a child, but I'm not going to write about their current struggles because they're adults and they can do it for themselves. I want to give them some space in a way I didn't when they were younger.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
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