A Quote by Robert Weinberg

When I got tired of going to school, I was kind of overqualified for a lot of jobs. Kind of underqualified for a lot of others. — © Robert Weinberg
When I got tired of going to school, I was kind of overqualified for a lot of jobs. Kind of underqualified for a lot of others.
Well, growing up in LA, things are kind of thrust in front of you. You're almost forced to grow up pretty fast, with experiences and stuff. Going to that school there were a lot of rich girls, a lot of partying, a lot of wild things. You're put in this environment where you're forced to wear a uniform. It was all girls, so you rebel naturally, I think. I don't know, I just kind of got inspiration from every day living and going to school.
I learned a lot of good things in my school. I've audited a lot of other schools, and I guess after a while I got a little tired of the acting school atmosphere.
To be perfectly honest with you, I was partying a lot in school. I didn't have any good study habits from high school because I just kind of got by on being a jock.
Acting is a weird, kind of alienating job because you're in an isolated place. Even if you're working with a lot of other people, you're kind of alienated. Actors say that a lot, and I kind of find that to be true.
New Orleans is my kind of city. I think there's a lot going on, but it's also very calm. It's a place where I can actually drive a car without being stuck in traffic for for 40, 50 minutes. It's my kind of city. A lot going on but still calm.
'Goon' is very much an action - it's got a lot of heart, it's got a lot of comedy, it's got a lot of similarities to what I think was successful in 'Deadpool,' and so I think it's not a stretch to compare those two things and say the world is a little more ready than they used to be for this kind of material.
How you deal with adversity says a lot about the kind of players you've got and the kind of team we've got.
If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
Community colleges need to be upgraded. We got to have training for real jobs. We've got a lot of jobs that are going unfilled because we don't have the technology in the heads of graduating college students to deal with them.
I'm not very good in a classroom sort of setting. I never was. I was kind of a clown in high school - got suspended a lot.
The Kevin Abstract project kind of represents being socially awkward in high school, which I'm low-key kind of tired of.
We were making 'Tragic Kingdom,' and we were kind of battling with the record company. It was just being drawn-out, in the same kind of situation where we were all working, we all had jobs, we were going to school.
You've got the same rhythm every day just to keep you going. So once that rhythm is broken, it's kind of hard to get back with it when you got a lot of things going on.
Something I'm going to try to really instill in my own family is a lot of tradition. And, I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot.
On a day-to-day basis, you get tired of waiting to be accepted. In show business, someone else has to say that you're good or that you're worth going to see or worth taping a show. There's a lot of pain here. There's a lot of pain inside. I'm a sad, crying-on-the-inside kind of clown.
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