A Quote by Robert Wolders

Some people tend to think of Audrey as a film-star first and a humanitarian second. But to Audrey herself, and to those who knew her well, the two roles were intertwined and inseparable.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
This doesn't mean you're getting a discount." Audrey heaved a mock sigh. "Oh well. I guess I'll have to ply you with sexual favors, then." Gnome choked on the soup. "I'm old enough to be your grandfather!" Audrey winked at him, gathering the empty bags. "But you're not.
I'm not looking for someone who comes close to Audrey. But if I found someone, I'm sure Audrey would be happy.
Audrey was the kind of person who when she saw someone else suffering tried to take their pain on herself. She was a healer. She knew how to love. You didn't have to be in constant contact with her to feel you had a friend. We always picked up right where we left off.
Audrey didn't necessarily feel that she had accomplished anything. But she was serene, because Audrey was very realistic about death. She had a great faith in nature, and she felt that if her time had come, then she should accept it graciously.
Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know.
She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.
I just told my agent to forget all other projects for me. I was waiting for Audrey Hepburn. She asked for me, and I was ready. This could be the last and only opportunity I’d have to work with the great and lovely Audrey Hepburn and I was not missing it. Period.
I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.
The one dream I have is to do a musical. I love singing, but most people don't know because I don't sell myself as a musical person. My dream is to play Audrey in 'Little Shop of Horrors' - it would be so interesting to have an Asian Audrey because it's all about achieving the American dream in a sinister, success-driven way.
The people I tend to look to and reference are Hollywood icons; Audrey Hepburn, Elizabeth Taylor, Rita Hayworth.
When 'The Lighthouse,' bizarrely, became the film that people wanted to greenlight, it was really clear that those were the only two people to play the roles. And I knew that they would want to do it.
The Audrey you saw in her films and in her advocacy for children is who and what she really was and what, I think, we all sensed was an extraordinary honesty of emotion.
Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
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