A Quote by Robert Wolders

The memory of Audrey is in my innermost mind. And I don't need a foundation to commemorate her. That's perhaps a bonus, if you like. — © Robert Wolders
The memory of Audrey is in my innermost mind. And I don't need a foundation to commemorate her. That's perhaps a bonus, if you like.
As a people, our monuments never commemorate victories. They commemorate the names of the fallen. We don't need the Arc de Triomphe; we have Masada, Tel-Hai, and the Warsaw Ghetto - where the battle was lost, but the war of Jewish existence was won.
Some people tend to think of Audrey as a film-star first and a humanitarian second. But to Audrey herself, and to those who knew her well, the two roles were intertwined and inseparable.
perhaps it took a stranger to make a woman like her speak her mind.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, Give and Take, was about my Aunt Sugar, how I was losing her to her memory loss.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
To be gay is beautiful and right and perfect; to tell someone they need to change their innermost being is setting up someone for an unhealthy life and unhealthy foundation.
...she had always known under her mind and now she confessed it: her agony had been, half of it, because one day he would say farewell to her, like that, with the inflexion of a verb. As, just occasionally, using the word 'we' - and perhaps without intention - he had let her know that he loved her.
Audrey didn't necessarily feel that she had accomplished anything. But she was serene, because Audrey was very realistic about death. She had a great faith in nature, and she felt that if her time had come, then she should accept it graciously.
Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know.
Let a woman have her place, because as you provide foundation for her, she provides a foundation for you. And through that vulnerability comes strength.
She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?
The Audrey you saw in her films and in her advocacy for children is who and what she really was and what, I think, we all sensed was an extraordinary honesty of emotion.
And her life will perhaps be the richer, for holding now within it the memory of what came, but could not stay.
Audrey had an angelic quality about her. She didn't act like she was better than everyone, she just had a presence, an energy, a sort of light coming from within her that was overwhelming.
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