A Quote by Robert Wyatt
There's no field of music which doesn't have good ideas.
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You have to have a lot of ideas. First, if you want to make discoveries, it's a good thing to have good ideas. And second, you have to have a sort of sixth sense-the result of judgment and experience-which ideas are worth following up. I seem to have the first thing, a lot of ideas, and I also seem to have good judgment as to which are the bad ideas that I should just ignore, and the good ones, that I'd better follow up.
In talking about the impact of ideas in one field on ideas in another field, one is always apt to make a fool of oneself.
Usually, the best ideas come from other people's good ideas, which then, after a short gestation period, become your ideas.
Music and art is about ideas, I think. Especially music. You have the freedom to work with your ideas and your dreams and your fantasies, which is quite hard to do in many other places.
His belief in the power of music to convey ideas - not just entertain - has filtered down to musicians in every field, from alt-rock to hip-hop, from Bruce Springsteen and U2 to Arcade Fire and Kanye West. Popular music is different because of Johnny Cash.
With any "new" form of music, the originators are usually good bands that have good music and good ideas, like Nirvana. But then you get all the followers and wannabes, bands like Silverchair, etc...and that really sucks.
If you hear a good idea, capture it; write it down. Don't trust your memory. Then on a cold wintry evening, go back through your journal, the ideas that changed your life, the ideas that saved your marriage, the ideas that bailed you out of bankruptcy, the ideas that helped you become successful, the ideas that made you millions. What a good review-going back over the collection of ideas that you gathered over the years. So be a collector of good ideas for your business, for your relationships, for your future.
Progress is unstoppable. It is a drumbeat to which we must all march. Technology helps and good ideas spread – these are two lows of nature. If you don’t let technology help you, if you resist good ideas, you condemn yourself to dinosaurhood! I am utterly convinced of this.
Everybody has ideas. The vital question is, what do you do with them? My rock musician sons shape their ideas into music. My sister takes her ideas and fashions them into poems. My brother uses his ideas to help him understand science. I take my ideas and turn them into stories.
If you want to have good ideas you must have many ideas. Most of them will be wrong, and what you have to learn is which ones to throw away.
It would be in pretty poor form for me to not be a big supporter of tech and computers because that is how I do my work and how I got involved. The advancement and the affordability of tech gear has made a level playing field where you can now have access to ideas reasonably and then it just comes down to extracting those ideas, which is great.
Intelligence plus experience creates ideas, and experimentation with that form of chemistry-the contact of ideas with events-is the field of adult education.
The field of scientific abstraction encompasses independent kingdoms of ideas and of experiments and within these, rulers whose fame outlasts the centuries. But they are not the only kings in science. He also is a king who guides the spirit of his contemporaries by knowledge and creative work, by teaching and research in the field of applied science, and who conquers for science provinces which have only been raided by craftsmen.
I listen to a wide range of music, from country to pop to alternative rock, as well as Indian music. You know, what excites me are new ideas. And with a lot of the international hits - from Lady Gaga to Rihanna and others - you'd find excellent production and groundbreaking ideas that lift the music to a greater realm.
Is instinct in the head or in the heart? Off the field, I follow my good instincts which steer me in the right direction. Sometimes on the field my head leads me astray. That's what I believe.
Music is neither old nor modern: it is either good or bad music, and the date at which it was written has no significance whatever. Dates and periods are of interest only to the student of musical history. . . . All old music was modern once, and much more of the music of yesterday already sounds more old-fashioned than works which were written three centuries ago. All good music, whatever its date, is ageless - as alive and significant today as it was when it was written
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