A Quote by Roberta Williams
At the end of a project I get very weird, you know, in my head because I'm not doing it. It's like an addiction. I have to do it.
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I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.
Very much as men project weird fantasies on women, the people in New York project weird fantasies on California.
Work addiction seems to be an addiction we are proud of. We almost seem to brag with mock displeasure that we are "overwhelmed" with busyness, sometimes as an excuse for not really being able to do what we really want to be doing. Work addiction is a symptom not of working your brains out but of your brain working you out. Why are you doing what you're doing for a career and how do you like doing it? Do you like your answer?
It's probably weird to think about an addiction like it's a sentient being, but that's how it feels. Like it's something living inside you. Something you can't get rid of because killing it means killing you.
You kind of half-prepare a speech in your head, and then you get up there and then you end up saying nothing that was in your head before you went up there. It's a very weird thing. I never do award speeches too well.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I mean I was very shy but I was also very extroverted because I was doing plays. I'd been doing plays since I was a little kid. But, I did feel like an outsider because I went to like a 'college-prep' kind of high school that had a really big football team and was known for its program so I was like this weird boy that did plays.
It's weird because if I'm not doing anything, I get antsy. I feel like I always have to be doing something.
I know I have the abilities to be a head coach or D-coordinator. It's something I wouldn't mind doing. But it's tough being a player and going back and doing something like that, because egos get in the way.
As you get to the end of the project you want to run all the tests cases against one version and make sure that you know that that version passed everything. And so as you get late in the project you get a little more conservative about making radical changes to the software.
You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
It's weird. I feel like people assume if a character is very different than you, that means it's difficult to get into their head or into their skin.
I don't like a tormented photograph. Something attracts you in them, but the attraction isn't because she has a pot on her head or tonnes of make-up and weird clothes and weird everything.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
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