A Quote by Roberto Baggio

I liked to score, but I also liked to make somebody else score. It was something that was very satisfying, to take someone there. — © Roberto Baggio
I liked to score, but I also liked to make somebody else score. It was something that was very satisfying, to take someone there.
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
Thierry Henry could take the ball in the middle of the park and score a goal that no one else in the world could score.
I liked the monsters, I liked them because I couldn't understand how something so scary could also be so good. It got me thinking as a very early age, and I had a lot of rehearsal.
I hate for teams to score or for somebody to score on me.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
The chemotherapy was very peculiar, something that makes you feel much worse than the cancer itself, a very nasty thing. I used to go to treatment on my own, and nearly everybody else was with somebody. I wouldn't have liked that. Why would you want to make anybody sit in those places?
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
Somebody has to keep score and I decided I was going to do it. I'm a born score-keeper and I realize, like an umpire, that my decisions may cause distress.
I don't go out and just try to score. I score because there is an opportunity to score.
I'm a very technical player, a striker who moves around the field a lot. I'm technical, I score lots of goals, and I like to score as many goals as possible. They are my best qualities. I also header the ball very well.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
I try to score in every game and I don't feel sorry for anybody: If we win and I score that's fine, nothing else matters.
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